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May, 2010 Monthly archive

Today is a nearly-perfect-weather day in New York City, and with work letting out early for the Memorial Day weekend, I decided to do some walking and touristy picture-taking again (don’t worry, I stayed in the slow lane). Armed with a fry cone (average-but-okay fries; too much ketchup), I started at Rockefeller Center and walked up Sixth Avenue to Central Park. This is some of what I saw in those 10 blocks:

It always amazes me how many ice cream trucks there are in Manhattan. Nearly every block in midtown! (No, they don’t roll around with Scott Joplin music playing, they just park & sell.)

William Crovello’s great “Cubed Curve” sculpture at the Time & Life building. Photos never quite manage to capture how vibrant the blue is.

Black Rock (CBS headquarters), the only skyscraper designed by Eero Saarinen. Construction was not completed until four years after his death. The black granite exterior is phenomenal, as is the lobby. (The upper floors are less impressive, sadly.)

Jim Dine and Robert Indiana…

I love the tippy-top of the Barbizon Plaza Hotel (aka Trump Parc). Great colors.

There are a lot of beautiful things in NYC, and Central Park is a pretty big one. So lush and green right now. Can you believe these photos were only taken 2 1/2 months ago?


Sidewalk @ 22nd and 5th // Photo by MarkArms

Hey! A new category! I’ve been thinking about all of the stuff I link to on Twitter during the week, and how it all just sort of disappears from my consciousness right away. Maybe I should experiment with posting some of the more interesting things here once a week? I’m not big on schedules or planning when it comes to blogging, but I’ll give a shot.

+ An express lane for NYC pedestrians who are not tourists? I have been wanting this for YEARS (via Design for Mankind)

+ Geometric print tapestry/bedspread from Urban Outfitters (via @UniformNatural)

+ Want to create a WordPress theme from scratch? Here’s a nice tutorial

+ This Viennese attic apartment is pretty much perfect (via h p n f r h p y a c d n s)

+ Urban love letters, by way of murals (via Poppytalk)

+ i live here:SF essay by (& photos of!) my beautiful friend, Victoria

+ This Pappardelle with Spiced Butter recipe is easily vegan-ized with Earth Balance and wheat noodles, and it is delicious

+ 23 restaurants and shops on 1 street in Mexico City rehabbed for $3000. Very inspiring!

+ Black walls done right, over at Victoria’s new place

+ Paul Rand is MUCH, MUCH, MUCH cooler than Rand Paul. I’ll take the former over the latter any day

So, you know when a bunch of people tell you that they think you’d like really something (a book, a movie, a musician, whatever) so many times that you kind of get this attitude like, “Oh please, if it’s THAT obvious that I’d like it, I’d probably hate it!”, and then you’re reluctant to even give whatever this thing is a chance? …No? Okay, maybe it’s just me.

Anyway, after the millionth person told me I’d probably really dig Janelle Monáe, I finally took five minutes to go on YouTube and watch a few videos and live perfomances, and, well—all of you know-it-alls were right this time. I definitely dig this chick.

I really appreciate when musical artists go the extra mile and put everything they have into all aspects of their public persona and performance—clothing, production, attitude, packaging design, videos, stage presence, references…all of it. There is a quality level that I look for, and it has to be one that’s genuine, not contrived by a label or the artist as an attention-getting gimmick that detracts from the music itself. I’m talking about real style that serves to complement actual talent. (Think: James Brown, Prince, Morrissey, Siouxsie, Michael Jackson, David Bowie…)

On top of all of that style, Janelle is…really, really great. (Ugh, could I possibly be a worse “reviewer”?) I’m also excited to be excited about cool music being released by someone 10 years younger than me, rather than 20+ years older. That doesn’t happen often, probably because of that cruddy attitude I mentioned having.

In other words: Janelle Monáe! Yay!

ETA: Since everyone is talking about her Letterman performance, I figured I’d edit it in. Also, WOW. Also, why do I not own a pair of saddle shoes?

Happy Friday, everybody! Let’s make like these guys and do some serious lounging this weekend.

Baby two- and three-toed sloths at the Aviaros del Caribe sloth orphanage in Costa Rica. Seriously painful cuteness happening here. Siiiiiigh.

Sloth Magnet by Berkley Illustration, $5.00 // Prints available as well!

It’s funny—I think of myself as someone who, in “real life”, really isn’t afraid to discuss just about anything, regardless of what the potential reaction of those around me might be. When it comes to my blog, though, I’m a little gun-shy. Maybe that’s because the internet can be a wasteland of misunderstandings based on a lack of body language, eye contact, and accountability; or maybe it’s just a fear of being called out as a hypocrite.

Whatever the case, I’ve been wanting to write about my reaction to Jonathan Safran Foer’s phenomenal book, Eating Animals, for quite some time now, but I’ve been procrastinating. Even now as I sit down to finally begin, I’m finding myself wondering whether I’ll actually be able to hit the “publish” button when I’m done.

I suppose this post is as much about Public Fear of Blogging as it is about (Not) Eating Animals, then. (I guess it’s going to get lengthy.)

If you were a reader of my old blog, Absolutely Vile, then you may recall my rapturous reviews of Jonathan Safran Foer’s novels, Everything is Illuminated and Extremely Loud and Incredibly Close. Both books had an enormous impact on me, and Foer quickly became one of my most favorite authors ever. When I heard that he was working on a book about the ethics (or lack thereof) of factory farming, I was surprised, but also confident that he would manage to write about this ugliest of subjects with grace, truth, and artistry. I’d read a couple of articles that Foer had previously written about his experiences with vegetarianism and his feelings about his dog, George, so I knew he and I were at least somewhat on the same page. I was excited to read this new book, for sure.

Until it was actually released, that is. I waited nearly four months before I actually cracked the cover and started reading. I knew Eating Animals was going to change my life, and I was scared.


Me in 1992. Morrissey spoke, and I listened.

When I was in my mid-teens, I became a vegetarian. There was no hesitation or “tapering off” once the decision was made—I just stopped, cold turkey (as it were). Aside from having a deep love of animals, I was also a fan of Morrissey, and I have no problem admitting that his very public and very sincere stance on (not) meat-eating and animal rights had a seriously influential effect on me at that age. I also had a lot of friends who were Straight Edge (this was the early ’90s, after all), and that peer pressure played a positive role in shaping my earliest of opinions about vegetarianism and drug and alcohol use.

Plus, being a vegetarian was another way that I could set myself apart from the average person, something which (for better or for worse) has always been very appealing to me. I knew how “different” (not to mention “difficult”) it made me seem, and I liked that. That said, vegetarianism was definitely not a phase for me—in fact, I stayed a total veg until I was 30 years old.

I’m not sure exactly what happened when I turned 30 to change my ways. Well, the short answer is that I went to Freeman’s with a friend and was lured into eating a bacon-wrapped prune (It’s always bacon that does in the vegetarians, isn’t it? It’s a total gateway meat), but the real answer is more complex than that. I joke around sometimes and refer to my lapse as a “vegetarian rumspringa“, and that’s actually not a bad description of what was going on.

I had come to feel like being a vegetarian was just another item on the list of things that have defined me in other people’s eyes for so many years, along with having dyed hair and bangs, being a Cure fan, wearing black, and so forth. It started to feel superficial, I guess. As much as I am confident about who I am as an individual, I start to get itchy whenever it seems like I’ve fallen into enough of a rut that even strangers have me figured out. I don’t like being a cliché, and, of course, I have that ongoing need to be “different”.

I started to question whether being a vegetarian even meant anything to me anymore. I thought it would be fun to cook and eat the same things as my husband. I was excited by the prospect of going to a restaurant and ordering anything I wanted. The more I dwelt on the positive aspects of giving up on my long-held beliefs, the less and less vegetarianism mattered to me.

Or at least I convinced myself that that was the case. The truth, though, is that I spent 4 1/2 years feeling guilty and uncomfortable about eating meat, and embarrassed every time I had to tell someone who’s known me for any length of time that I was no longer a vegetarian. Often times this information was met with a response of, “Great! I’m so happy for you!”, which made me feel even more uncomfortable with my new non-labeled self. Obviously this wasn’t something that I should have put on par with a decision to incorporate more color into my wardrobe—vegetarianism was something real and good and meaningful that I had committed myself to at a very young age, and I should have trusted myself enough to have held on to my convictions.

Which brings me back to the subject at hand: Eating Animals, the book.

There are plenty of reviews out there already that summarize the content of Jonathan Safran Foer’s book, so I won’t focus too much on those details. Sojourners recently published a “Cliffs Notes Edition” which very neatly outlines the 10 main arguments Foer makes for not eating factory farmed animals, and I urge you to read it.

I, like Foer, have chosen to go beyond the extent of merely eliminating factory farmed meat from my diet. Factory farmed animals comprise “99.9 percent of chickens raised for meat, 97 percent of laying hens, 99 percent of turkeys, 95 percent of pigs, and 78 percent of cattle”—in other words, the vast majority of the meat consumed in the United States. As Foer explains in great detail in Eating Animals, it is nearly impossible to be a meat-eater and not eat animals raised or slaughtered in gruesome environments. Terms I tricked myself into believing, like “free-range”, “organically raised” and “natural”, are virtually meaningless.

I was only about five pages into the book before I knew I would never eat meat again. Halfway through, I crossed out eggs and dairy products as well. When Evan read the book, he experienced the same thing. There was just no way that I, as an educated, compassionate, and financially secure person, could convince myself that there is any reason whatsoever for me to partake in a lifestyle that does nothing to help the world and its inhabitants, and everything to encourage cruelty, unsafe working conditions, and environmental destruction. When I became a vegetarian in my teens, I never once thought about farming conditions, environmental impact, personal health, worker safety, or anything beyond the most basic emotional response to animal rights. As an adult, I thought I knew the truth about these issues, but I really didn’t. Most of us don’t, because it’s not presented to us…and most of us are a little frightened to seek it out.

Aside from compiling a factual reference, Jonathan Safran Foer managed to (as I imagined he would) also put out a beautiful, thoughtful, and thoroughly compelling piece of writing. Lest you be put off by the prospect of reading something horribly dry, depressing and soap-boxy, let me assure you that this book is absolutely readable. Foer explores the philosophy of eating meat and of his own struggles with ethics as a father, as a grandson, and as a young man who enjoyed the taste of a burger. This is not a preachy tome, but a challenge to think and to make meaningful choices.

If you’re feeling apprehensive at all about reading Eating Animals, that’s all the more reason to dive right in. (And yes, even if you think you already know the truth.) What you’ll find is not a pretty reality, but it is an important one. Every single one of us has the power to make up our own minds about what we will and will not put in our mouths. Blaming poor choices on something as simple as a craving (“Oh, but I like the taste of ____ too much”) or laziness (“I have kids, I don’t have time to be so diligent”) doesn’t give enough credit to that power. It’s not an all-or-none prospect, anyway. Even tiny changes are significant when multiplied by millions.

We can do better, though. All of us. It’s good to change, to learn, to grow—and even, sometimes, to revert to the instincts we had when we were younger.