Archive
Blogs + Tweets

When Jaime from Design Milk asked if I’d like to do an interview about Bruno and Fritz for her design-y dog blog Dog Milk, I couldn’t say YES fast enough! Evan and I both love talking about our furry little guys. Make sure you hop over to Dog Milk and take a look—I think it’s a fun read!

(Needless to say, we’ve since remembered a dozen or so additional nicknames that we left off of the list. And yes, we really do use them all! It’s a wonder either dog even knows his actual name.)

Thank you so much, Jaime!

I love my job a whole lot. Designing stuff is what I do for a living, but it’s also what I do because I love to do it. Lately I’ve had the opportunity to do my job alongside a few friends who also love what they do, which makes work extra-fun.

Earlier today, I flicked the switch on the redesign of sfgirlbybay that I’ve been working on for the past couple of months. Victoria is not only one of my favorite bloggers, but she’s also one of my favorite people. Having the opportunity to work on her blog was a dream come true! Making the project even sweeter was getting to design a site around the new logo artist Shanna Murray created for Victoria. I hope you’ll stop over and take a look if you haven’t already. I think what we came up with just suits Victoria’s style and personality so well.

This was a very, very special project for me. I’m just so happy Victoria trusted her amazing blog in my hands!

I’ve known Nubby Twiglet for years, and during that time I’ve watched her grow into an incredible designer with a style that’s unmistakably her own. Nubby has a clear vision when it comes to fashion and photography as well, and as soon as I found out I’d be designing the cover for Rev Jen’s new book, Elf Girl (previously titled Elf Like Me), I knew she was the person to go to for the right cover shot. I’m pretty sure the first question I asked her was, “Hey, do you have any elf shoes?”

Nubby was a perfect collaborator—she took my art direction perfectly, and understood exactly what I needed. Her shots and styling were so perfect that I was able to come up with 10 cover concepts in a single afternoon! Very satisfying. The final cover is on the left (the book is out in October), and you can see some of the unused designs in the right.

This poster marked the second time I’ve worked with musician Roger O’Donnell. The first was about six years ago on a CD jacket, and it was really quite nice to do it again. I’ve known Roger since I was just starting out as a designer in my early 20s, so to know that he respects my work well enough to ask me to create something for him—this time a poster announcing a performance of his work—is a truly great feeling.

Last year, Roger musically recreated the David Hockney painting Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, and in July of this year, the piece was performed by an orchestra of young musicians at the Guildhall School of Music. You can read about the entire process as well as watch video diaries and download demos here.

Thank you, friends. It’s been a pleasure.


Photo courtesy of Plumen

Did this week go by fast or WHAT? I can’t believe it’s already Friday. I have the day off, and I’m looking forward my three-day weekend. I’m secretly thrilled that there’s lots of rain the forecast for the next few days, because even though I should be outside working the garden, I actually just want to spend my time deep-cleaning the house and going gangbusters on some freelance projects that I’m really excited about.

Oh, also! I’ve dutifully answered all of your questions to the best of my ability. I apologize for my shortcomings in some of my replies, and I promise I will get working on a post about the whole non-driver thing ASAP (I had no idea there are so many of us in the same boat!).

Meanwhile, here’s some stuff I tweeted this past week…

+ Remember those amazing, sculptural CFL bulbs from Plumen I mentioned a while back? Well they’re finally available for the US market. Yay! (Thanks to Poppytalk for the tip.)

+ The USDA’s new “food plate” is disappointing. I agree with this assessment, especially about the protein/dairy.

+ According to the folks at Mjolk, Pia Wallén Crux blanket (my most coveted item ever) is no longer being produced in wool. Thankfully, the new cotton version lives on. Phew!

+ I really need to redesign my portfolio website, but until that happens, I’ve updated the existing site with some recent work.

+ Speaking of recent work, this post that Jen from Honey Kennedy wrote is pretty much the most amazing feedback a designer can hope for. Sniffle!

+ I finally bought a pair of Urbanears Medis headphones, and I love them. They’re the only in-ear headphones that don’t fall out of my (giant? shallow? dunno) earholes.

+ Really, is there any greater tragedy than a tattoo with bad kerning?

+ If you’re a grammar and spelling nerd like me, you’ll enjoy this NPR story about the new food guidelines section of the AP Stylebook. (Prepare to start spelling “french fries” with a lower-case f!)

+ I still really like the “For Like Ever” poster—ye olde standby of 2006. Maybe I’ll buy one. Not tired of seeing it after 5 years, so…

+ Did you see this house Lena Corwin posted about? $210k in Schoharie County NY: The Smithy.

+ These wood & glass Limpid Jars from Merchant No.4 are serious porn for storage jar lovers.

+ Shilo Byrd will teach you how to make super cute summer braids with a bow around your head.

+ HAPPY BIRTHDAY TO PRINCE!!! Do yourself a favor and celebrate his 53 years of awesomeness by making your way through djbrainchild’s Swift.fm playlist.

+ This video of 9-year-old Robert Jeffrey lip-synching to Madonna’s “Vogue” in front of a green screen in the summer of 1991 is sort of the best thing ever. Enjoy!


Video uploaded by Robert Jeffrey // 1991

I have a little guest post up over at sfgirlbybay today—all about my fantasy picnic supplies! Hop on over to take a look. (Cute stuff!!) Thanks, Victoria!

I admit it: Part of the reason I was really excited to get an iPhone was because I wanted to join in on Instagram.

I never gave Instagram much thought until Sandra Juto started creating iPhone photos with it a little more than a month ago. Sandra describes the app very well as being “like a Twitter for pictures”. She’s exactly right—Instagram is to photography what Twitter is to blogging. The former doesn’t take the place of the latter, but it’s good fun and the results are nice to look at.

I admittedly tend to be a little on the sour side when it comes to faux-old stuff, whether it’s lighting or clothing or photographs or whatever. I have a lot of respect for photographers who still shoot with film cameras and who have kept alive traditional processing and printing techniques despite (though not necessarily in lieu of) the surge of digital cameras that has nearly devoured the film industry. It makes me a little sad to see faux-Holga or faux-Polaroid effects on digital photos for that reason—especially when those effects are so immediately identifiable as such.

But really, I need to get over myself.

See, here’s the thing: ANYTHING that gets people to be more observant of their surroundings and helps them to not be afraid to experiment with expressing themselves visually is GOOD. It’s easy for a designer to roll their eyes when a “commoner” (heh) decides to play around with type and design their own book cover. A painter can snicker at a housewife who sets up an easel in the backyard to paint flowerbeds. I get it, I really do. I’m not a photographer by any stretch of the mind, though, and a fear of being judged in my ability to take a decent photo against the skills of someone who can define themselves as such has really gotten in the way of me feeling like it’s okay to pick up a camera. I’m always embarrassed by how lousy my photos are—there are a lot of things I wish I could do better, and taking pictures is at the top of that list. I took traditional photography classes in art school, and I always felt like I should have sat at the back of the room. I just don’t have whatever it is you need to have. So I’m a graphic designer instead.

But anyway. Instagram!

The best thing about Instagram is that the photos are ultra low-res (612×612), so there’s no need to ensure that they will need to look good in print. The iPhone and the web are the final destinations, so it’s all very low-pressure. Everyone else using the app is shooting at the same resolution, too, and everyone has access to that same set of pre-fab filters. No pretention whatsoever. I love it! The immediacy and lo-fi quality reminds me of the way Polaroid 600 film was regarded when I was a kid—no waiting, no fussing, and absolutely no expectation that the resulting photo was going to be museum-quality. Just instantaneous FUN. Plus, there are definitely plenty of times when I might feel a little silly pulling out my camera to take a picture of something, but a little iPhone? So handy, so easy, and so inconspicuous.

It’s important to just see the fun side of stuff sometimes, and it’s okay to create stuff that isn’t perfect or high-end. In the end, it’s good to just be creating for the sake of creating. Even if it’s just for yourself, and even if everyone else is doing it too.

If you have an iPhone, download Instagram (it’s free!) and see what you think. You can find me there as doorsixteen. (And if you don’t have an iPhone, you can see/subscribe to my Instagram photos in this feed.)

Nothin’ fancy. Just fun.