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Handmade

We’ve already done camera vs camera and trash can vs trash can, so how about we do jewel-encrusted skull vs jewel-encrusted skull?

In 2007, Damien Hirst (who, I should note, is one of my least favorite living artists—for better or for worse, “I know what I like when I see it”…blah blah blah, and yes, I am aware of the many reasons available to dislike Hirst and his work) spent £14 million (~$22 million) creating For the Love of God, a sculpture consisting of “a platinum cast of a human skull encrusted with 8,601 flawless diamonds, including a pear-shaped pink diamond located in the forehead”. It’s an utterly ridiculous and despicable work of art on just about every level imaginable, but I can’t help kind of loving it. And we don’t even know if it’s been sold! Assuming it hasn’t, though, the price tag on it most likely somewhere around £50 million.

Gracious. Well, as Hirst himself puts it, “the markup on paint and canvas is a hell of a lot more than on this diamond piece.” Fair enough, Damien. Fair enough!

I don’t often condone knockoffs, but I’m going to make an exception this time—assuming, of course, that you don’t have £50 million lying around waiting to be spent. (And if you do, please email me before you do anything. I’d be happy to send you a list of suggested ways to spend that money that do not involve buying a diamond-encrusted skull. Be sure to put “Help me spend £50 million” in the subject line!)

Enter the low-cost alternative: For a mere £50 (yes, 1/1,000,000th of the original price!), IARTISTLONDON will sell you their IHIRST kit so you can make your very own Damien Hirst-inspired crystal-encrusted skull! You get a life-sized plastic skull, 8,601 crystals, glue, a paintbrush, silver paint, and instructions. I personally can’t think of a better way to spend every evening for the next year than gluing tiny crystals onto a plastic skull, can you?

Your friends will never know the difference!!


Aled Lewis on inPRNT

I came across these photo prints by Aled Lewis (his other illustration and design work is amazing, too!) a few days ago, and I can’t stop thinking about them. I love tiny animal figurines, and I extra-love making them have conversations with each other (no, really). I extra-extra-love that Lewis took it one step further and make these great little scenes with dialogue and everything. They have a Museum of Natural History diorama-like feel to them that I really dig.


Aled Lewis on inPRNT

I mean, you can really hear them, right? I feel sad for Rhinoceros, hanging his head in shame for evolving into a lesser beast than Triceratops. It’s not his fault! And poor Wooly Mammoth, he just wants to grow his hair out and hang with the cool kids. Moms just don’t get it.


“Maybe” giclée print by Eduardo Recife

Earlier this morning, while I was searching the 13-year-old depths of my backup drive, I came across my blog header from 2002. It was collage-y and grunge-y and vintage-y and all of the other -ies that that I was into at that time, and I was immediately reminded of someone who had a huge influence on my work—artist, designer and typographer Eduardo Recife.

I love Eduardo’s use of found elements, pieced textures and patterns, hand-drawn letterforms and traditionally-set typography. There’s a roughness to his work that’s countered so perfectly by often romantic or Victorian imagery, and that contrast is so appealing to me. It’s a look that retailers like Anthropologie and Alternative Apparel have channeled with great success over the years, but never with quite the same level of artistry as Eduardo.

You could spend a year trying to emulate his work (and believe me, I’ve tried!) and never do what he does as well as he does. I’ve taken influence from Eduardo and put it into my graphic design work, the interior of my home, my personal style—everything. He just understands the balances between old/new and hard/soft so well.


Clockwise: “Dream”, “Chords”, “Love”, and “Give to Get” Giclée prints by Eduardo Recife

I was happy to discover after not having visiting Eduardo’s personal work website, Misprinted Type, for quite some time that he now has giclée prints of his work available for purchase through inPRNT. I haven’t decided which ones I want to buy yet, but I will definitely be bringing a couple into my home very soon!

One of my favorite things about Eduardo’s approach to creating is his willingness to share resources and materials with others. If you check out the “goodies” and “fonts” section of Misprinted Type, you’ll see he makes a huge number of hand-drawn typefaces, brushes, and vector elements available—many of them for free.

Make sure you also take time to look at his recent commercial work, too—the colors are so incredibly fresh and delicious-looking, and his style still looks as current and unmatchable in its coolness as ever.


“E o amor?” giclée print by Eduardo Recife

Yes, that’s right—it’s mix tape for making friendship bracelets to.

About a year ago, I was talking to Jenna and Sara on the Twitter about…well, probably about Doritos or iced coffee or something like that (roughly 90% of my tweets are about snacks and coffee), and the subject of friendship bracelets came up. I vowed that night to bring back the friendship bracelet—not knowing in my uncoolness that they’d already been “brought back”—but I never actually got around to making one.

Until yesterday.

This is the correct view when making a friendship bracelet. If you see anything other than embroidery floss safety-pinned to denim, you’re doing it wrong. Binders and tape are for cheaters. And don’t even breathe the word “yarn”.

Now, this is a view I hadn’t had in a long, long time. Like…probably about 25 years. The last distinct memory I have of making a friendship bracelet is from 1986. I was sitting on my friend Melissa’s bed, knotting away (I’d like to say I was wearing Guess? jeans, but I wasn’t that cool), listening to INXS, when a frantic phone call came in from our friend Terrill to TURN ON THE RADIO because something REALLY BAD had happened.

Yes, that’s right: It was the sad, sad day that Wham! broke up. Tears were shed. Bracelets were exchanged. Andrew Ridgeley filed for unemployment.

Friends, I am not the knotter I was when I was 11 years old. At a distance my bracelet looks alright, but up close it’s kind of a mess. I had a lot of trouble getting my knots even and tight-but-not-too-tight. Either my pre-teen fingers were just way more nimble, or I’ve become more discerning in my old age. Probably a little of both.

I’m kind of proud that I did this FROM MEMORY, though. Okay, I forgot about making a loop at the top before tying my knot (Evan reminded me about two hours in—oh well), but aside from that, I’m pretty pleased with myself. I can’t imagine ever having time to make another one (apparently I had a LOT more free time when I was 11—go figure), but for now I’ll just wear this one and be my own best friend.

There are already 9 bazillion friendship bracelet tutorials on the internet, so I won’t bother repeating the steps here, but rest assured anyone over the age of 6 or 7 should be able to make their own bracelet in a few hours. I highly recommend taking the time! It was pretty relaxing, and lots of fun. Plus, now you have the right soundtrack to accompany your knotting.

p.s. The Swatch watch is not there for effect, I swear! I’ve been wearing Swatches since…well, since the last time I made a friendship bracelet, and they’re the only watches I really like. I still have all of my old Swatches, and yes, they all still work. (I only wear one at a time these days, but you never know…)

p.p.s. You can find and follow me on 8tracks as doorsixteen. My first mix was Summertime Jams!

BONUS!!! I tried to find a picture of myself from 1986, but the best I can do is my 7th grade class picture from 1987 (dudes, Joyce in the front row is wearing a FRIENDSHIP ANKLET!!). I’ll give a gold star to anyone who can pick me out of the group. Click to enlarge!

UPDATE!! Dee has correctly identified me! I’m in the back row, fourth from the right in the oversized cardigan, black hairbow, and body-wave perm. Yesssss. That’s Terrill next to me. Rest in peace, sweet girl.

I just bought this taxonomic superpowers poster from Brooklyn-based Pop Chart Lab (“…founded in August 2010 by a book editor and a graphic designer who joined forces for one reason: to bring order to a swirling chaos, that is, to render the world as charts”) for Evan. Isn’t it awesome? I had no idea it’s even super-possible to have prehensile hair.

We already have Pop Chart Lab’s Grand Taxonomy of Rap Names poster in our hallway, and I gave my nephew the Evolution of Video Game Controllers poster (which coincidentally uses the same font as my blog header) for Christmas. Yeah, I was the cool aunt for a minute or two, believe me.

These are posters for nerds. Design-loving nerds. Like me. I’m a fan.

It’s hard to appreciate how awesome this stuff is at small sizes, so hop over to Pop Chart Lab to check out some enlargements. The level of detail in the taxonomy charts in particular is pretty amazing.

Pictured above, clockwise from top left:
+ Bill Solo t-shirt (the only thing better than Bill Murray is…Bill Murray)
+ The Splendiferous Array of Culinary Tools poster
+ Periodic Table of Heavy Metals poster
+ A Visual Compendium of Notable Haircuts in Popular Music poster