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Little Anna

I didn’t really feel like blogging last week, in part because it was a week of several very sad events around the world, but also because I’ve been filled with an enormous amount of self-doubt after posting photos of my backsplash makeover. That might sound ridiculous, but the closing sentences from that post are really what set me off:

An unexpected side effect of working on this project is that I really feel like painting. Not painting houses, but painting stuff. I feel like designing wallpaper, too. And pillows. And blankets. And everything, really.

Right. So I established the fact that I want to do things, but I am still not doing those things. Last weekend I even went to buy some supplies — paints, brushes, canvases, etc. Until yesterday, they were sitting untouched in my living room. I finally got sick of seeing them out of the corner of my eye, though, so I moved them to the kitchen. Where they are sitting. Untouched.

When I was a kid (and by “kid” I mean birth through age 20), all I did was paint and draw and make stuff with my hands. Both of my parents are artists. I grew up in an environment where expressing myself visually wasn’t just encouraged, it was the norm. That was just what you did. When it came time to go to college, I thought I was rebelling when I became an English Lit major — a terrible mistake, of course, and eventually I transferred to the Fine Arts program. I took lots of drawing and printmaking classes, but my concentration was in Graphic Design/Book Arts…and that’s where I wound up putting in the majority of my focus. By the time I was a senior, I was pretty much holed up in front of a computer all the time. I started my job as a book cover designer within weeks of graduating, and I’m still at that same job now.

Don’t get me wrong, I love being a graphic designer. I love what I do for a living, and I really do believe it’s exactly what I should be doing, but I always thought I’d eventually make room in my life for stuff that isn’t specifically for a client or a product. I don’t even necessarily mean stepping away from the computer entirely, I just mean working on things where I am the “client.”

You know what? IT’S REALLY HARD. Not having a specific purpose or goal in mind creatively is like paddling in the middle of an ocean with no land in sight. Where do you start? Who is going to give you approval? What is the product you’re trying to sell? And wouldn’t it have been easier to have just stayed on the boat?

On the other hand, I guess all of the work I’ve been doing on my house for the past 7 years is client-free creative work, right? Not really, though — at the end of the day, I guess the house is the client. There’s still a goal.

It comes down to this: I need to be pushing myself more creatively, and not because someone is telling me to. My fear of making ugly things and failing miserably is pretty intense, but what’s the worst that can happen? There is no worst. Best case scenario? I actually wind up liking my work without anyone’s approval, and maybe there will be a few other people out there who like it, too. What more can you ask for?

p.s. I need to go back and re-read this post I wrote last year about advice from Chuck Close. And then I need to actually listen to him.

Brooklyn work space

I realized last night (upon receiving lease renewal forms) that it’s already been 10 months since we rented “the new apartment” in Brooklyn. Whaaaat?! I don’t really understand how it’s been almost a year already, but geez—I guess I should take some more pictures of it. A little while back I showed you one side of the main room, now here’s another side. This room contains the kitchen, dining room, living room and office, all compressed into a surprisingly spacious-feeling 220 square feet.

When I was planning out this room, one thing I knew I wanted was a nice work surface. I don’t like compact desks. I considered a few possibilities, and eventually arrived at a combination of two VIKA LERBERG trestles ($10 each) and a VIKA FURUSKOG table top (regularly $60, but I found it for 50% off), both from IKEA. That’s a 60×30″ work surface for $50—not bad! The table is actually deep enough that Evan and I can both sit and work opposite each other at the same time if we need to.* Plus, if we slide the iMac to the end of the desk (or put it on the floor), the table is big enough to seat 4 people—really nice if we have friends over for dinner.**

*This has never happened. But it could!
**This has also never happened. I blame the lure of the roof deck.

Brooklyn work space

The IKEA PS cabinet holds everything…and then some. I was sad to have to give up the awesome fauxdenza from our old apartment (it’s since been relocated to a closet at the house—more about that in another post!) because of space, but this guy really does an amazing job of storing way more stuff than it seems like it would be able to. All of our office supplies, tools, dog stuff, papers, and other things are in there, with room to spare. Our PS cabinet has been with us since 2003—almost a decade now. It’s an IKEA classic at this point, and I really think it’s one of their all-time best products.

Funny how much the (not) “new” apartment is starting to look like the old one, isn’t it? I even hung all of the artwork in the exact same arrangement. I still don’t think this place has the same kind of friendliness the old apartment did, but I am warming up to it! We definitely have a lot more visitors in DUMBO than we did in Washington Heights, that’s for sure, and I do love being able to open my home to people from out of town. It’s not big enough for overnight guests, but for hanging out for hours on end petting dogs and drinking coffee, it’s perfect! Every time friends or family come over, it really does start to feel a little more like it’s ours.

Herman Miller Lifework blog

If you’d like to see a few more photos of this side of the apartment (as well as some new pictures of the office at the house!) and read a little interview with me about work spaces, head over to the Herman Miller blog. I’m so honored to have been asked to contribute to their Lifework blog! I think it’s obvious to anyone who’s seen any part of my house or apartment that I have a considerable number of Herman Miller products in my life, so this was a lot of fun to do. (Thanks for inviting me, Amy!)

You may have noticed a few little changes on the blog during the past 24 hours or so! Yes, Door Sixteen got a little makeover—not a full redesign, but what I like to call a “mini-lift.” A new logo, a slightly wider format, a few little tweaks here and there. My dorky bio page has been updated, and the FAQ expanded. I also fixed a few things that were buggy, like the display dates on comment replies. As always, please let me know if anything is broken or weird.

The other big new thing is that I am now officially accepting sponsorship ads. A while back I wrote a little bit (OK, a lot) about the possibility of that happening and why, and after weighing the pros and cons for the better part of the past year, I’ve decided to go ahead and make the jump. After 14 years of ad-free blogging, I’m excited about this new venture.

I considered a few different ways of going about the whole thing, including the possibility of signing with an advertising network. One of the nice things about using a network is that there’s no “cross-contamination,” meaning that the ad content is handled completely separately from the blog content. The downside, though, is that the network approach would most likely mean that smaller businesses with tight budgets probably wouldn’t be able to afford the high rates plus commissions. That would rule out the most of artists and designers and photographers and craftspeople I care about and believe in the most, and then what’s the point? So I’ve decided to handle all ad sales directly.

I can’t promise that there won’t be any of that cross-contamination—if a business I love decides to advertise here, I won’t stop mentioning them; if I discover a business I love through a new ad, I won’t hesitate to support them directly. The content of my blog posts will always and forever be representative of my own views and opinions. My approach to writing has not changed, and you shouldn’t expect it to. (You should expect to see more posts, though. Maybe I can actually afford the time to finish some of the dozens of unfinished drafts in my queue!) I truly believe that all parties will benefit in the end: Me, my sponsors—and YOU, the readers.

My advertising policy, which you can read in full on my FAQ page, is one of 100% transparency. To that end, my current stats and my current ad prices and the “fine print” are all publicly displayed on my sponsorship page. There are no secrets here.

If you would like to become a D16 sponsor…
Please head over to the sponsorship page for all of the numbers and options and guidelines. If you have any questions at all, drop me a line at anna@doorsixteen.com. Thanks!

It’s been a while since I’ve shared any of my web design work. I don’t do very much of it since my day job designing book covers keeps me busier than than I can handle, but I really do enjoy fitting in a few non-print projects when I have the time. Here’s a little roundup of some of the work I’ve been doing on the side these past few months…

Honey Kennedy
This is my second redesign of Honey Kennedy—the first was in April 2011. Jen asked me several months ago if I could help her with some minor updates, but my schedule was insane so everything was put on the back burner. By the time we got our acts together and talked about Jen’s wishlist, it turned into a complete overhaul! I kept the same basic logo design and the dreamy, saltwater atmosphere, but introduced a richer color palette and bolder textures. Nearly every element of the blog got a makeover.

Jen is probably my most demanding client, but I say that with love. She has such a clear vision of what she wants, and has a really good eye for the tiniest details—that’s the reason her blog is so great. She’s also become a very good friend in the time since we worked on the first redesign, and working together is a pleasure.

Manhattan Nest
Another repeat client! I worked on a previous incarnation for Daniel two years ago, but it was never much more than a header design and some simple modifications to a prefab WordPress theme. Back then I don’t think Daniel imagined that his blog would eventually become super popular, so even just convincing him to move to a self-hosted platform was an effort. It was SO MUCH FUN to finally have a chance to design Manhattan Nest from top to bottom! It’s also so nice to think about how different Daniel’s life is now than it was two years ago—in 2010 he was a pet-free single guy on the Upper East side, and now he lives in Brooklyn with his boyfriend and their two dogs and he’s winning contests and stuff. (Hey, have I mentioned before what a truly good person Daniel is, and how happy I am that we’re friends and that he likes eating and drinking coffee as much as I do? Yes?)

CHEZERBEY + STUDIO ZERBEY
I’ve been reading Chezerbey for ages with more than a smidgen of jealousy in my eyes. Lauren and Kyle really set the bar high when it comes to home renovation, and it’s not just because they’re both architects—they also have amazing taste and an ability to stay within a budget and they’re not afraid to do pretty much all of the work themselves. I mean…this is my fauxdenza, and THIS is the Zerbey’s fauxdenza. WAY TO TAKE THE WIND OUT OF MY SAILS, GUYS. Just kidding!! Anyway, I was a little intimidated when Lauren first approached me about doing a complete makeover of their blog, but in the end it was a really smooth process. Both Kyle and Lauren are really good at expressing what they want and need both aesthetically and functionally, which is so helpful. Lauren even gave birth to their daughter in the middle of the redesign, but didn’t miss a beat. She’s superhuman.

In addition to having a kid, Lauren and Kyle also just became their own bosses and opened Studio Zerbey, an architecture and design firm. They asked me to design a website for Studio Zerbey that would complement Chezerbey while still looking distinct from the blog, and I think I achieved that. It was exciting to be involved with creating the indentity for a new business right at its inception!

Thank you so much to Jen, Daniel, Lauren and Kyle for trusting me with your projects…and for being patient and understanding when it comes to time constraints and sleep deprivation! I am privileged to have worked with you. Let’s all of us get together someday and have a “Dogs ‘n’ Blogs” party, OK? xoxo

My apologies for how long it’s taken me to announce the winner of the Frida Kahlo book giveaway! There so many entries, and I underestimated just how long it would take me to count them all up and do the random drawing. I wound up having to print out all of the names (plus duplicates for the Facebook entries), cut them into strips, and draw one from a hat. OK, I didn’t actually use a hat, I used a manila envelope…but you get the point. Maybe there’s some kind of amazing program out there that will do all of this automatically?


Anyway, without further ado, the winner is…Alex! Congratulations, Alex. Your book will be in the mail this week. I hope you enjoy it, inside and out.

And if you weren’t the lucky winner, you can of course still buy a copy! The Secret Book of Frida Kahlo is out now in English and Spanish editions, both with covers designed by me and illustrated by the ever-amazing Lisa Congdon.

Thanks to everyone who entered!!

Just a quick note before the weekend…

I’ve been back in New York since Monday night (more London photos to come!), and since then I’ve been in the office and trying to get myself fully into work mode. I have to admit that I really do miss my daily London routine (basically drinking coffee and hanging out), but a week and a half away from my office means a TON of work upon returning. This was the longest stretch of time off I’ve had from working in the two decades that have passed since I graduated from high school!

Fortunately, I’ve had two things to take the edge off of my return to the daily grind:
MORRISSEY + MAMMA BISCUIT!

I went to see Morrissey on Wednesday night at Radio City Music Hall, and tonight and tomorrow night he’ll be at Terminal 5. These are my 27th, 28th and 29th times seeing Morrissey live (show #30 will happen in Decemeber!), and in all honesty it really never gets boring. Yes, it’s a different experience (for him and for me!) than it was when we were 20 years younger, but I’m so thankful that he’s still going and still amazing and still giving. I’ll post some photos when the three nights are over. VIVA MORRISSEY.

Today has been an extra-special work day with none other than Mamma Biscuit (if you’re not already reading her blog, you’re missing out) here in the office. Is there anything better than taking a break from staring at a computer screen and nuzzling your face into the neck-rolls of a glamorous, toothless, geriatric pug? Nope. I adore Mamma. VIVA MAMMA BISCUIT.

And no, I don’t need glasses to see, but hey…I like the look. SUE ME. I’m about to order these with non-prescription lenses!

p.s. I’ll announce the Frida Kahlo book giveaway winner tomorrow!

Remember the book about Frida Kahlo that Lisa Congdon and I collaborated on the cover for? Well, The Secret Book of Frida Kahlo was finally released for sale on Tuesday! Woo-hoo! I know this is a little bit goofy because I never do giveaways on my blog (I kind of feel like I’m masquerading as a “real blogger” right now), but I got an extra sample copy the other day and I figure giving it away is more fun than just sticking it on a shelf in my office.

I’m so happy with how the printed books turned out! No matter how many covers I’ve designed over the years, it never stops being exciting to see the finished product in three (tangible!) dimensions. I haven’t actually read the book yet because it hadn’t been translated into English yet when the project was given to me, but I’m looking forward to bringing it along with me to London next week for airplane reading.

From the book description:

When several notebooks were recently discovered among Frida Kahlo’s belongings at her home in Coyoacán, Mexico City, acclaimed Mexican novelist F. G. Haghenbeck was inspired to write this beautifully wrought fictional account of her life. Haghenbeck imagines that, after Frida nearly died when a streetcar’s iron handrail pierced her abdomen during a traffic accident, she received one of the notebooks as a gift from her lover Tina Modotti. Frida called the notebook “The Hierba Santa Book” (The Sacred Herbs Book) and filled it with memories, ideas, and recipes.

Haghenbeck takes readers on a magical ride through Frida’s passionate life: her long and tumultuous relationship with Diego Rivera, the development of her art, her complex personality, her hunger for experience, and her ardent feminism. This stunning narrative also details her remarkable relationships with Georgia O’Keeffe, Leon Trotsky, Nelson Rockefeller, Ernest Hemingway, John Dos Passos, Henry Miller, and Salvador Dalí. Combining rich, luscious prose with recipes from “The Hierba Santa Book,” Haghenbeck tells the extraordinary story of a woman whose life was as stunning a creation as her art.

Here’s how to enter:
1. Leave a comment here for one entry.
2. “Like” both Door Sixteen AND Lisa Congdon on Facebook for an extra entry. Make sure you let me know that you liked us both in the comments here so your entry counts. (It’s OK if you already liked us before, of course!)

This contest is now CLOSED. I’ll draw a winner at random when I return from London in a few days!

(Shipping is included for US residents. International entries are welcome, but the winner will be responsible for any shipping costs.)

Entries will be accepted until Friday, October 5th at 10PM EST. I’ll draw a winner at random and announce the winner when I return from London the following week!

And yeah, I totally stole those giveaway rules from Honey Kennedy, because Jen is a real blogger and she knows how to do these things the right way.

It is completely ridiculous how long it takes me to get around to doing pretty much anything. After putting off getting business cards made for, um, my entire adult life, I finally made a firm vow to do it when I redesigned my portfolio. You know how long ago I made that “firm vow”? OVER A YEAR AGO. What’s wrong with me? Designers truly are their own worst clients, I swear.

Two weeks ago I had a brief moment of follow-through, though, and I actually managed to send my files off to have them printed on cards. Pretty much everyone I asked told me to use MOO* for printing, and since I’m too lazy to do any real research when it comes to my own projects, I went ahead with them before the motivation wore off.

I spent a little extra to get the Luxe cards, which are nice and thick and have a colored center layer. I only ordered 100, which I imagine will last me the better part of the next decade since I’m probably going to forget to ever bring any cards with me when I leave the house, and I’ll most likely just be giving them to friends and family members who happen to come over for dinner. (Hey, I’m just trying to be realistic here.)

Anyway, all kidding aside, the cards look great. They were delivered in fancy white boxes with magnetic closures wrapped in purple ribbon and a fake wax seal and everything. The paper stock is really nice, and the print quality is perfect—no registration problems at all, which I was a tiny bit concerned about since I spec’d a rich black for the type. I have zero complaints.


I’ve had this Pantone business card wallet (I don’t think they make them anymore, or at least I can’t find them online) for the better part of a decade now—obviously purchased amid a fleeting sense of ambition—and it’s nice to finally put it to use. I feel so legit.

* When you order something from MOO, they give you a 10% discount link to share with friends. If you use that link to buy cards, you save 10% and I get $7.50 in credit added to my MOO account—and then they’ll send you a 10% referral link to share with people, too. Feel free to use this link and become part of that magical pyramid scheme.