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My love for neon-hot pink continues to abound. I’ve noticed it creeping into my Instagram photos a lot over the past couple of weeks.

ONE I finally ordered a THERE IS THUNDER IN OUR HEARTS tote bag from Fieldguided, and of course I opted for the fluoro pink version. I lovelovelove Kate Bush, by the way. Her new album, 50 Words For Snow, is out next week—but it’s streaming now on NPR.

TWO Why exactly did I buy neon pink duct tape? You got me, but I was at Target and there it was, so home with me it went. I’m presently hoping for something to require duct-taping in the near future. I keep thinking about Bertjan Pot’s duct tape rug, too…

THREE I used neon orange ink for the hardcover edition of this book, but for the paperback (out next June), I went with Pantone 806—my favorite chip in the book, and the hottest neon pink imaginable. It’s not a color I get to use often in printed work, so I seized the opportunity!

FOUR I’ve been working my way through the same bulk package of neon pink highlighters for about 10 years now, and as of yesterday, I’m down to my last one. As Charlie pointed out, the classic Sanford Pocket Accent doesn’t even look like this anymore—in fact, they’ve dropped the Sanford name completely, and are now just branded as Sharpies. Apparently I’ve been doing a highlighter time-warp for the past decade.

FIVE Is there anything that doesn’t look better with neon pink washi tape on it? If there is, I haven’t discovered it yet. Lately I’ve been using it to wrap around packages in lieu of ribbon or string, and as decoration on top of utilitarian packing tape when putting something wrapped in brown paper in the mail.

SIX Despite the fact that my iPhone is basically glued to my side at all times, I still can’t give up my neon Post-it Notes. I always use the pink ones first and hope someone else will take the others! I write everything on Post-Its. I even stick them to my iPhone! And to my wallet. And to the cash inside my wallet. And all over my computer monitor. Like I’ve said before, I’ve gotta write stuff down.

Oh, hello there! Remember me? I’m Anna. I used to have a blog—this one right here that you’re reading, in fact! I also used to have time to do things like tile bathrooms, vacuum, go outdoors, shower, cook, think, and sleep.

I’ve written plenty here about what I do for a living, and I think I’ve made it pretty clear that I like working in-house for a publishing company. I love it, in fact. I’ve been at my job for nearly 14 years now, and I have no desire say goodbye to my 9–5 job (which is really more like 9:30–6:30, but you know what I mean). There are times, though, when I like to design something that’s not a book cover. And sometimes I also think it might be nice to have a little extra cash. More than both of those things, though, I really like to help people and make stuff look nice.

So I started taking on some freelance design work. Which turned into lots of freelance design work. Which then became lots and lots of freelance design work. Before I knew it, I was working about 100 hours a week between my full-time job and my “night shift.” My freelance hours started to outnumber my full-time hours, leaving me with the equivalent of about 2½ full-time jobs.

And that’s not alright.

If you follow me on Twitter, then you are probably well aware of ever-increasing stress levels and ever-decreasing sleeping hours, since that’s all I really talk about anymore. I’m busy, I’m tired, I’m drinking coffee, I’m still awake, I’m busy, I’m going to have another coffee…and holy mackerel, I’m so tired. Ad nauseum.

After this weekend, I’m taking a break from doing freelance work for a while. I’m not sure how long, but I need to stop, step back, and think about what I really want to be getting out of the work that I’m electing to do in my free time. I’ve learned some lessons over the past few months:

1. It is okay to say no. I know that seems obvious, and I’m sure we all think we know already, but it’s hard for me to say no to people. I think this is especially true of those of use who truly LOVE what do for a living, either because we tend to see our work as an extension of our everyday lives, or because we honestly just like to make someone happy by saying YES. Also—and I know my fellow designers with sympathize—sometimes you don’t want to say no to a project because you worry that it will wind up in the hands of someone who doesn’t know what they’re doing, and then there will just be one more piece of bad design in the world. Yes, that is a completely self-important attitude loaded to the brim with ridiculousness, but it’s the truth.

2. Money doesn’t really motivate me. Yes, it’s great to not have to struggle to make ends meet and to be able to buy nice things every now and then, but really—I don’t care much about money. I never think about potential income in relation to the work that I do. Book publishing is a notoriously low-paying field of design, and I’m okay with that. I always have been, because I love books and I love designing the packages that contain them. The same goes for the non-book freelance work that I do. I really have to care about the project (and the person or people behind it) in order with it to be worth my time. After all, if it’s not about the money, the reason take on a job has to be a little more meaningful than “because it’s there.”

3. I am always going to be one person, and there are always going to be 24 hours in a day. Again, I know that’s obvious, but I’ve had some moments of delirium lately in which I am fully convinced that if I could only clone myself or hit my head on the bathroom sink and invent a flux capacitor, then maybe I’d be able to get my work done. This is crazy-talk. No one should elect to live their life this way just because they don’t know how to say no (see item #1).

4. There’s more to life than coffee, you know (but not much more). I make no secret about my love of coffee, but that love should really be based more on enjoying the taste, the aroma, and the ritual of the brewing process—not on a desperate need to consume as much as possible in order to avoid drooling on my keyboard at 3AM. I mean…really now.

5. I am totally in the right field of work. I love being a designer. I love taking on challenges that require me to think about structure, organization, space and hierarchy. I love making grids. I love doing font research. I love showing something I’ve done to a client and having them get excited (and sometimes even cry—you know who you are!) about seeing their words or product or music wrapped up and presented in a way that perfectly represents exactly who they are and what they do. I love finishing a project and feeling like it looks like me, too. I like making stuff look good. I love that putting two colors together can make someone feel happy. I like pretty things that work well.

I’m really looking forward to getting normal amounts of sleep, though, and having time to just be a human every now and then.

I’ve been under the weather for the past couple of days and I didn’t really have the mental energy to do real work, so I used the opportunity to freshen up my portfolio site a bit. I have very little patience for or interest in designing stuff for myself, so I’ve been putting this off for ages.

I think I might actually get around to having some real business cards printed up, too. Can you believe I’ve never* had business cards? I’m forever scrawling my name and URL on the backs of receipts and cocktail napkins. Part of me feels like being able to say, “Here, take my card” will be a true certification of grown-up-ness, and that freaks me out a little. Okay, a lot. The only thing left after business cards are nude pantyhose, and I’m definitely not going down that road.

*That’s a lie. Last year I printed a sheet of 12 cards in a fit of panic before an “industry” party I went to. Then, as I was frantically trimming them down, I sliced off a huge hunk of my left thumb with an X-Acto knife. I then proceeded to bleed all over the cards. It was all very Cheese Monkeys.

So…I’m pretty tired. Exhausted, actually. I’m doing WAY too many things at once, and while there is an end to this madness in sight, I’ve been feeling more than slightly crazed lately.

I was just in the kitchen refilling my iced coffee glass at 12:32AM (Mommy, if you’re reading this, I swear I really am alright—and don’t pretend like you don’t get the late-night work crazies just like I do!) when a single thought ran across my brain:

Oh my god, this is all JUST LIKE that episode of “Ren & Stimpy” where Ren goes insane and eats soap.

Now, I realize that even just thinking that is kind of nuts, but I immediately had to go and watch the clip to see if, in fact, I am becoming a deformed cartoon Chihuahua with SPACE MADNESS.

And yes. Yes I am.

I love my job a whole lot. Designing stuff is what I do for a living, but it’s also what I do because I love to do it. Lately I’ve had the opportunity to do my job alongside a few friends who also love what they do, which makes work extra-fun.

Earlier today, I flicked the switch on the redesign of sfgirlbybay that I’ve been working on for the past couple of months. Victoria is not only one of my favorite bloggers, but she’s also one of my favorite people. Having the opportunity to work on her blog was a dream come true! Making the project even sweeter was getting to design a site around the new logo artist Shanna Murray created for Victoria. I hope you’ll stop over and take a look if you haven’t already. I think what we came up with just suits Victoria’s style and personality so well.

This was a very, very special project for me. I’m just so happy Victoria trusted her amazing blog in my hands!

I’ve known Nubby Twiglet for years, and during that time I’ve watched her grow into an incredible designer with a style that’s unmistakably her own. Nubby has a clear vision when it comes to fashion and photography as well, and as soon as I found out I’d be designing the cover for Rev Jen’s new book, Elf Girl (previously titled Elf Like Me), I knew she was the person to go to for the right cover shot. I’m pretty sure the first question I asked her was, “Hey, do you have any elf shoes?”

Nubby was a perfect collaborator—she took my art direction perfectly, and understood exactly what I needed. Her shots and styling were so perfect that I was able to come up with 10 cover concepts in a single afternoon! Very satisfying. The final cover is on the left (the book is out in October), and you can see some of the unused designs in the right.

This poster marked the second time I’ve worked with musician Roger O’Donnell. The first was about six years ago on a CD jacket, and it was really quite nice to do it again. I’ve known Roger since I was just starting out as a designer in my early 20s, so to know that he respects my work well enough to ask me to create something for him—this time a poster announcing a performance of his work—is a truly great feeling.

Last year, Roger musically recreated the David Hockney painting Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, and in July of this year, the piece was performed by an orchestra of young musicians at the Guildhall School of Music. You can read about the entire process as well as watch video diaries and download demos here.

Thank you, friends. It’s been a pleasure.