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After waiting out The Winter That Wouldn’t End, I found myself avoiding going out into the front garden to to take care of the plants and clean up all of the dead leaves and debris (mostly cigarette butts, grocery bags and flattened Styrofoam cups, with the occasional dead mouse thrown in just for excitement) that had accumulated in front of our house. Sometimes I forget that the front of the house even exists — once we’re inside, we tend to hole up there like hermits.

Rake in (gloved) hand, though, I forced myself to do it, and I wound up feeling like I want to make an effort to make the front of the house look pretty again. When we first moved in, one of the first things we did was take care of the outside, which was just dead grass and weeds at the time. It was — and is — very important to us that our neighbors see that we care about our community when they look at our house. At the time, there wasn’t much going on in the way of landscaping/flowers/plants on our block, but over the years, I’ve noticed more little gardens and flowerpots appearing here and there. I’d like to think that’s at least in part due to us. Maybe. Front gardens matter.

In 2009, we started working on the exterior of the house itself. We had the bricks repointed and the wood cornice repaired and painted by a contractor, and we gave the porch a pretty substantial overhaul ourselves (here’s a before and after). We still need to have the exterior of the original windows repaired and repainted, but that will take time…and money. It can wait. The house isn’t going anywhere. I just never want it to look like this again.

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I made this little path a few years out of fire bricks salvaged from our chimney repair. I didn’t do it the “right” way with crushed stone and sand underneath and all that, I really just dug out an area, set the bricks down, and packed dirt into the cracks. I was prepared for it to get out of whack with the first heavy rain, but it’s been just fine. After the winter I do have to re-set them a bit, but I like how soft they look, especially now that there’s a bit of moss growing between them.

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Under the porch there’s a set of slate steps leading down the the basement entrance. At the bottom are my favorite bricks, arranged in sort of semi-herringbone pattern. They were buried under several inches of dirt when we bought the house…a happy discovery that makes my little path seem pretty silly! I love that these mossy old bricks are still almost completely level after more than 120 years.

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That’s the whole house! Our property ends precisely at the edge of our house on either side — the white cornice belongs to the house attached to ours (we’re first in a row of four identical houses). It’s CRAZY to see how much the boxwood row as grown in five years. This is what it looked like when we planted it! It’s also crazy to see how dedicated I used to be to planting stuff…and how good our carpet roses used to look. They’re so scraggly now that I didn’t even bother taking a photo. Sigh. Maybe this weekend I’ll head over to the garden center and pick up some colorful things to plant! The main problem I’ve had is that the garden gets SO much daylight — like super intense sunshine all day long (I took these photos in the early evening). There are no trees on our street, so shade is non-existent. Even plants that are supposedly tolerant of full sun have wound up croaking after a month or two.

I’d also like to rip out all of the grass between our garden and the sidewalk. It’s impossible to keep looking nice, and mowing it is a pain since all we have is an electric edge-trimmer. Maybe juniper or something else low-lying? I’m sure people will step on it, so it needs to be pretty durable.

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And for the Sylvester-fans (you know, this guy), you’ll be happy to know the neighborhood tough guy is still hanging in there and keeping guard over our house. Another neighbor (she calls him “Beauty” — UGH) feeds him, too, and he has at least a couple of porch beds to choose from these days. He’s a good kitty.

That gray cat just appeared out of nowhere last weekend, stretched out under the boxwoods like he owned the place. I don’t know what his deal is, but he’s super-friendly. I think he probably belongs to someone. I don’t like other cats hanging out on Sylvester’s turf, though, so hopefully that was his single appearance.

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I just came across illustrator and graphic designer Butcher Billy’s “Post-Punk + New Wave Super Friends” series, and I’m not going to be able to resist ordering at least a couple of prints for my walls. Butcher Billy has applied the concept of a superhero to his heroes — the pop culture icons who influenced him as a kid. As he explains it…

As a child of the ’80s I was heavily influenced by everything from Saturday morning cartoons on TV to the music coming from the radio. Ian Curtis or Johnny Rotten are as iconic to me as Superman or Batman. Real people or imaginary characters, the incorruptible ideals of perfect superheroes or the human flaws and desires sometimes so desperately depicted in song lyrics — all of those influences affect us to the point of defining our character and personality, career paths and life choices.

Well, shoot. That just about says it, right? I totally agree, and it looks like Billy and I have a lot of the same heroes.

You can order any of Butcher Billy’s Post-Punk and New Wave Super Friends designs as prints or on t-shirts, iPhone cases and other items through his shop at Society6. View the entire series of posters at Behance.

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All images © Butcher Billy / Available for sale through Society6 / Found via Slicing Up Eyeballs

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Have you been sitting around wondering which box is the best box? Probably. Me too. Guess what? I figured it out! This box is the best box: KVITTRA from IKEA (specifically the “red” design), designed by Anna Salander. I’ve been noticing Salander’s name on a lot of nifty IKEA stuff for the past couple of years, but this box is just the best. It’s made of a sturdy cardboard that’s coated with a screen-printed paper. The paper has slightly embossed texture to it, almost like fabric. And the colors! Perfect.

I actually have two KVITTRA boxes stacked on top of each other here. They’re only $9, so I picked up a couple when we first rented the new apartment without really having a specific purpose in mind for them. Last night I finally put them together, and now they’re holding all of my extra buttons, pouches, cables and so on — all of the little things that have sort of just been floating around looking for a place to be stored. I could put them in a closet, sure, but they’re much nicer just sitting on the living room floor.

And yes, there are a few other things to talk about here, like the new rug (!!!), the credenza, the lion head…and the fact that I can’t stop painting walls with that Deep Space paint. I’ll get to all of that soon enough, but I just couldn’t wait to share this box! The best box.

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On Tuesday night I went to see Peter Murphy at Webster Hall. It’s maybe the 7th or 8th time I’ve seen him live, with Bauhaus and solo. He’s an incredible performer, and while last night’s show isn’t going to take top ranking in my personal list (that honor will always go to the Bauhaus reunion show at Hammerstein in 1998 — have fun spotting me in the front row with my little black bob and a big grin on my face), I’m always happy to have another opportunity to see one of my favorite artists live.

Peter (hello there, first-name basis) is currently touring in celebration of “35 years of Bauhaus” with all-Bauhaus sets, which I guess is kind of gimmicky since he’s never had any aversion to playing Bauhaus songs live in his solo shows, but hey — it sells tickets, and everyone gets to have a good time. It’s amazing to me how many complaints I’ve seen on music blogs about how this is all just a “money grab,” blah, blah, blah. PLEASE. He was the front man of one of the greatest rock bands ever, and his solo career is nothing to sneeze at either — how do those naysayers want him to make money? Bauhaus have already had three reunions since their initial disbanding in 1983, and none of them stuck.

If you have any sense of my taste in music, then you know that most of what I listen to was either recorded between the mid-’70s and early ’90s or is a contemporary recording by an artist who began a career during that era — in other words, between when I was born and when I ceased being a teenager. That’s not because I don’t think there’s great music being recorded now, it’s because those are the years when I was receptive to forming that kind of emotional attachment to songs and the people who write them. I never got to see a lot of my favorite bands live because I was born a few years too late (or in the wrong country). I’ll take any chance I can get to make up for it! Considering I was only 8 years old at the end of Bauhaus’s first run, I feel very, very lucky to been able to see them perform as a full band not only in 1998 but again in 2005…and every time Peter Murphy is in NYC, I’m there.

Here are some photos I took of Peter Murphy; after that, a few tips for a successful concert-going experience.

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Concert-going, Anna-style.

✚ Know what’s going on. I follow my favorite artists on Facebook and Twitter when possible, I subscribe to alert emails from the major ticket vendors, and I read blogs like Slicing Up Eyeballs and Brooklyn Vegan. As soon as a tour or specific show I’m interested in is announced, I add it to my calendar. If an on-sale time for tickets is available, I create an alert on my iPhone to remind me the morning of and 5 minutes before. I don’t trust my brain to remind me.

✚ Buy tickets right away. As in the minute they go on sale. Especially if you’re in a “destination” city like New York, since you’re competing for tickets not only with residents, but with people from all over the world. Really. In the old days this meant waiting on line for hours (or days — I slept on the sidewalk for two nights for Morrissey tickets in 1994), but now it just means making sure you can remember your Ticketmaster password. Yes, Ticketmaster is horrible, but it’s reality.

✚ General admission will always trump assigned seating, at least in my world. Yeah, I complain about my back hurting and stuff like that, but the truth is I don’t really enjoy myself much at concerts if I’m not standing up and dancing like a fool (“like a fool” = casually bobbing my head and occasionally hopping a bit), preferably within the first few rows. I realize that this isn’t really possible when it comes to bigger artists since they tend to play seated venues, but good ol’ GA will always be my calling.

✚ Get to the venue early. The number one comment I get when people see my concert photos is, “Wow, you’re so close!” Yes. I am so close. That’s not because I shove people out of the way or because I have some kind of special hookup, it’s because I understand that if the doors open at 7pm, I had better be waiting on line in front of the venue at LEAST an hour before that — several hours before if it’s someone with ultra-rabid fans (like Morrissey). It doesn’t matter if there are two awful opening bands and the headliner isn’t going on until 10pm, you still have to get there before the doors open if you want to be up in front. And for Pete’s sake, once you have your spot, DON’T MOVE. Prepare your bladder accordingly.

✚ Don’t bring a big bag. Aside from being annoying to carry all night, it’s also going to annoy everyone around you. I have a little pouch-type thing that I got from MUJI specifically for going to shows. I can either wear it cross-body or like a hip-pack, and it’s just big enough to hold my ticket, ID, a little cash, a MetroCard, lipstick and, of course, a comb. The comb is essential because my bangs always get sweaty during shows and I want to tidy them up afterwards.

✚ DON’T WATCH THE SHOW THROUGH YOUR PHONE. This is a huuuuuuuge pet peeve of mine. It drives me crazy to look around and see a quarter of the audience holding up their phones continuously. Yes, I usually take 2 or 3 iPhone photos during shows, but I’m quick about it — and I don’t post them to Instagram until after the show is over. Holding your phone up and watching through its monitor is so disrespectful to the artist (and to the people around you). It’s also just plain LAME. Why pay for a ticket to see someone perform if you’re going to spend the whole night focused on something else? You might as well just watch YouTube videos instead if you don’t really care about the live experience.

✚ And speaking of photos… Most venues allow non-professional cameras with fixed lenses these days. I use an ultra-compact Leica D-Lux 5 at concerts. It does really well in low light, I can hang it around my neck, and it’s non-intrusive. I leave the settings on auto, and I’m very quick about my shooting. Up, focus, snap, down, off…and I never use the flash. Again, think about the artist’s perspective! When you’re up in front there are a lot of opportunities to make direct eye (and hand) contact, and those can be really special moments. The more an artist is engaged with the audience and can sense positive reaction, the better a show they’re going to put on. They don’t want to look down into a sea of faces covered by cameras and iPhones, believe me.

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Full setlist:
King Volcano / Kingdom’s Coming / Double Dare / In the Flat Field / God in an Alcove / Boys / Silent Hedges / Kick in the Eye / Adrenalin / Three Shadows Pt 2 / Who Killed Mr. Moonlight / All We Ever Wanted Was Everything / Bela Lugosi’s Dead / The Passion of Lovers / She’s in Parties / Stigmata Martyr / Dark Entries / Severance / Burning From the Inside / Telegram Sam / Ziggy Stardust

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Even though it’s one of my favorite spots in the house, I’ve been really bad about documenting the (slow, as usual) progress I’ve made in the dressing room over the years. I didn’t realize it until I was asked to contribute to a story on another blog about fiddle leaf fig trees and I was only able to find a single photo of the room that was less than four years old — and it was taken with an iPhone! Over the weekend I got my act together and took a few decent pictures. Unfortunately it’s still a little hard to tell what’s going on in the room because it’s so small (about 6×12′), but I did the best I could.

I need to re-pot my fiddle leaf ASAP. Considering my reputation as a plant-killer it’s doing really well, but that white pot isn’t big enough and its roots are growing out the bottom of the black plastic starter pot it came with, so it’s time to size up. Ideally I’d like to keep it in a lightweight pot inside of a basket (much like Emma’s), but I can’t seem to find the right one. Baskets are always way spendier and smaller than I think they’re going to be.

✚ Flashback! Here’s how the dressing room looked when we started working on it in 2006. A small reminder that even the ugliest, messiest renovation projects will eventually pay off!

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A little dark, but you get a sense of the space. The family who lived in our house before we bought it used this room as a bedroom for their son — complete with bunk beds! Considering how minimal I am when it comes to clothing, it’s kind of funny to have a dedicated dressing room…but hey, the space is there, so why not?

The latest addition to the dressing room is the Arrowhead rug (this is the 22×84″ runner) from Target’s new Nate Berkus collection. It wouldn’t have occurred to me to look at Target for a rug, but a couple of weeks ago Max excitedly texted me an picture of this one while he was in the store, and I was immediately smitten. I was originally thinking I’d put it in the upstairs hallway, but as soon as I saw it on the floor next to that orange bench, I knew where it was meant to be! It’s a great rug, by the way — really nice quality, and it’s even reversible. I might have to buy the smaller one for the bathroom at the apartment. (Max loves his so much that he wrote a post about it for Design*Sponge!)

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I still can’t get over the insane brightness of Tom Dixon’s Offcut bench. There’s no way for it to come through in a photo, but it’s like the most electric-looking fluorescent orange you can imagine. BLINDING. I love it so much. I was extra-excited over the weekend when I noticed that my nails match it perfectly right now! It’s the little things, right? By the way, if you’re looking for a great fluoro orange nail polish, the shade that FACE Stockholm made for J.Crew is really nice. Good quality, too. Plus it’ll match your bench.

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Oh, wallpaper. How I love thee. This is the Berry Black pattern from Ferm Living. I put it up in an afternoon about 4 years ago. I know I’ve said this before, but if you’re hesitating to put up wallpaper because you think you’ll get tired of it, stop worrying and go for it. If you choose something you really, really love, there’s no reason to think you won’t love it 4, 5 or 10 years later. Even if you do wind up wanting to get rid of it eventually, there are primers specially formulated for coating walls pre-wallpaper that will facilitate its removal down the road. It doesn’t have to be a nightmare if you plan ahead. Wallpaper is just so satisfying! DO IT.

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The coral hook-handle on the closet (we keep linens and shoes in there) is a “temporary” thing I came up with years ago. At the time it was a way to quickly deal with a very old door that was missing its lockset, but it’s really grown on me! The magnet holding the door shut still works fine, and I honestly can’t foresee installing a real knob at any point in the near future. The hook is here to stay!

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After 7 years of wondering if maybe we should have gone with glossy solid white doors on our PAX wardrobes instead of frosted glass, I think it’s time to just accept them as they are. I think IKEA has since discontinued this door style, but the wardrobes themselves are the same ones they have now. The solid birch KOMPLEMENT drawers they sell for inside are really nice, and overall the amount of storage these wardrobes provide is more than enough for me and Evan. My first instinct when we planned out this room was to go with built-in open hanging rods, but because of the position of the closet door and the window, it just made more sense to use something prefab and contained. Also, old houses are dusty. We don’t have off-season clothes storage, so some stuff will hang here for months on end without being worn — I didn’t want to leave it all exposes. Thumbs up for PAX! Other than the fact that I’m still considering changing the doors (I’ll never get around to it), I have nothing but good things to say about these wardrobes.

tofu lentil salad

Once upon a time in the recent past, I cooked at least 6 dinners a week. On the weekends, I even cooked extra food to freeze for lunches at the office. And then something happened: We got an apartment in Brooklyn. Oh Brooklyn, home of M.O.B., Wild Ginger, Vegetarian Ginger, Britain Indian, Darna Falafel, Siggy’s, Zaytoons and, of course, my beloved Hanco’s, home of the best vegan pork banh mi sandwich imaginable. Brooklyn is a food paradise, and having so many awesome vegan options available — whether by walking a few blocks or ordering delivery — is kind of irresistible.

There are, however, some downsides to all of that delicious convenience:

1. PRICE. Yes, that’s obvious. I know. Buying dinner out for two people night after night is stupidly expensive, and while I know that’s kind of the New York way of life that everyone makes jokes about (“My oven? Oh, you mean where I store my off-season clothes!”), it’s shocking how much it all adds up to week after week. I need to keep that in mind the next time I shake my head at an $8 bottle of olive oil — I mean, the oyster mushrooms I had as an appetizer last night cost $9. C’mon.

2. WEIGHT. As in, I have a lot of it to spare. That whole thing about vegans being skinny? That’s a damn lie. Healthful eating and fitness are about a whole lot more than whether or not you eat animal products. If you eat giant portions of processed takeout food every night, guess what? You’re going to feel (and see!) the effects on your body. It isn’t even so much about size specifically as it just feeling slow and tired and knowing that the weight gain is the result of eating too much of the wrong stuff all the time.

3. STRESS. I don’t know why it’s so hard to remember this when it’s 8:00 at night and I’m starving, but cooking and preparing food makes me feel really good. I’m a big fan of task completion even when it’s on a really small scale, probably because I work in an industry where nothing ever really feels done. Having a sense of definable accomplishment is a huge motivator, and getting a healthy, yummy meal together is a huge stress reliever. The same goes for doing the dishes…but now I’m going off on a tangent. (OK, so this whole post is a tangent.)

To help curb my addiction to takeout, I’m assembling a small arsenal of simple recipes that I can fall back on night after night. Aside from being vegan, the only rules are that I have to be able to prepare the meal in less than 30 minutes, it has to be reasonably healthy, there can’t be any ingredients that would require me to buy huge amounts of something perishable when I only need a tiny bit and, most importantly, Evan and I both have to LOVE the way the meal TASTES. It’s going to take a little trial and error, but I’ll post the successful recipes here along the way. (Please feel free to share your own favorite fast, cheap, vegan recipes in the comments, too!)

Tofu lentil salad (vegan)
Serves 2

8 oz super or extra-firm tofu
1 tbsp peanut oil
salt
1 tbsp mirin
1 tbsp brown rice vinegar
1 tbsp Sriracha (or to taste)
5 oz salad greens, any type
1/2 cup cooked lentils (Either make a bunch in advance and store them in the fridge, or cheat and buy a vacuum-sealed pack from Trader Joe’s — they go a LONG way)
Spicy peanut dressing (I’m lazy, so I buy Spicy Peanut Vinaigrette from Trader Joe’s, but you can certainly make your own)
Whatever other stuff you have in the fridge: Avocados, cherry tomatoes, sprouts…

Slice the tofu into quarters, press to remove excess moisture and cut into chunks. Heat a cast iron pan over medium-high heat, then add peanut oil. When the oil is hot, add the tofu in a single layer and sprinkle with salt. I follow all of Isa Chandra’s advice when cooking tofu — if you’ve had trouble getting it to come out nice and brown, definitely take a look at her suggestions.

Once the tofu is nicely browned on all sides, reduce the pan heat slightly and add in the mirin, vinegar and Sriracha. Toss with a spatula to coat, and turn off the burner. Let the tofu sit in the hot pan while you prepare the greens.

In a large bowl, toss the greens, lentils and any other veggies with the salad dressing. Divide into two bowls, and top with tofu cubes. Done!

Little Anna

I didn’t really feel like blogging last week, in part because it was a week of several very sad events around the world, but also because I’ve been filled with an enormous amount of self-doubt after posting photos of my backsplash makeover. That might sound ridiculous, but the closing sentences from that post are really what set me off:

An unexpected side effect of working on this project is that I really feel like painting. Not painting houses, but painting stuff. I feel like designing wallpaper, too. And pillows. And blankets. And everything, really.

Right. So I established the fact that I want to do things, but I am still not doing those things. Last weekend I even went to buy some supplies — paints, brushes, canvases, etc. Until yesterday, they were sitting untouched in my living room. I finally got sick of seeing them out of the corner of my eye, though, so I moved them to the kitchen. Where they are sitting. Untouched.

When I was a kid (and by “kid” I mean birth through age 20), all I did was paint and draw and make stuff with my hands. Both of my parents are artists. I grew up in an environment where expressing myself visually wasn’t just encouraged, it was the norm. That was just what you did. When it came time to go to college, I thought I was rebelling when I became an English Lit major — a terrible mistake, of course, and eventually I transferred to the Fine Arts program. I took lots of drawing and printmaking classes, but my concentration was in Graphic Design/Book Arts…and that’s where I wound up putting in the majority of my focus. By the time I was a senior, I was pretty much holed up in front of a computer all the time. I started my job as a book cover designer within weeks of graduating, and I’m still at that same job now.

Don’t get me wrong, I love being a graphic designer. I love what I do for a living, and I really do believe it’s exactly what I should be doing, but I always thought I’d eventually make room in my life for stuff that isn’t specifically for a client or a product. I don’t even necessarily mean stepping away from the computer entirely, I just mean working on things where I am the “client.”

You know what? IT’S REALLY HARD. Not having a specific purpose or goal in mind creatively is like paddling in the middle of an ocean with no land in sight. Where do you start? Who is going to give you approval? What is the product you’re trying to sell? And wouldn’t it have been easier to have just stayed on the boat?

On the other hand, I guess all of the work I’ve been doing on my house for the past 7 years is client-free creative work, right? Not really, though — at the end of the day, I guess the house is the client. There’s still a goal.

It comes down to this: I need to be pushing myself more creatively, and not because someone is telling me to. My fear of making ugly things and failing miserably is pretty intense, but what’s the worst that can happen? There is no worst. Best case scenario? I actually wind up liking my work without anyone’s approval, and maybe there will be a few other people out there who like it, too. What more can you ask for?

p.s. I need to go back and re-read this post I wrote last year about advice from Chuck Close. And then I need to actually listen to him.

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Remember the ugly kitchen in the my new apartment? The one with the kale chip counters, the cherry-colored doors and the backsplash made out of what are very clearly floor tiles? Yeah, that’s the one. Check out what I just did with the backsplash, though! This was a weekend project that I put very little planning into, and I am really, really happy with the result.

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This is light years better, right? I kind of don’t even hate the kitchen anymore. Don’t get me wrong, if the landlord suddenly asked me to do a gut renovation I’d start this weekend, but in the very likely event that he doesn’t, I’m totally OK with how the kitchen looks now. It’s pretty amazing how well that color (yes, it’s Benjamin Moore Deep Space again) neutralizes the red tones in all of the wood in this apartment. The cabinet color is actually tolerable now! When we picked out the paint we made sure it picked up on some of the gray undertones in the countertop, too. They look more black than green now, which is a very good thing.

So basically all I did here was cover up the tile with plywood that I painted a pattern on. It’s held in place with Velcro, so I can remove it anytime with no permanent effect.

Here’s a step-by-step…

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1. I used 1/4″ pre-sanded baltic birch plywood (not luan). I needed 3 2×4′ panels to do this backsplash. They were about $8 each. I chose ply over masonite/MDF primarily because it’s much lighter weight.

2. I measured out the panel dimensions, then did all of my cuts with a jigsaw. I’m sure I could’ve gotten more perfect lines with a circular saw, but ours is up at the house and I just wanted to get this done. I have a pretty steady hand, so the jigsaw really was fine.

3. To cut out the opening for the outlet, I drilled a hole first so I could get the saw blade in.

4. I test-fit the panels to make sure everything lined up right.

5. I gave the plywood a coat of primer. It’s really important to prime BOTH sides when you’re dealing with flexible stuff like beadboard, molding trim pieces and thin ply, otherwise you’re going to have a lot of warping. Trust me, it’s worth the extra time.

6. One coat of my base color was enough. I let it dry for about 3 hours before getting started on the pattern — I used that time to figure out what I was going to paint! There aren’t any progress photos of the pattern-painting, but I just used primer and little foam brush to paint it on freehand. (And yes, it took forever.) You could certainly use a stencil or stamp or whatever, but I didn’t want any repeats in my pattern. Every little line is unique.

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7. This might sound crazy, but I was a little worried about the original white backsplash showing through the seams of the dark panels, so I put some strips of painter’s tape on a sheet of aluminum foil and…

8. …I painted them to match the panels. Yup.

9. See what I mean? I knew it would drive me crazy to see a sliver of white, so it’s just an extra little bit of insurance.

10. And finally, Velcro! I used almost one full roll of Velcro Ultra-Mate. It cost about $17, which seemed insane to me, but I guess that’s how much Velcro costs unless you’re smart and buy it online first. I just put a few inches in each corner, plus a few extras along the edges for the bigger panels. It’s SUPER secure.

Total cost = $42. Soooooo worth it.

A few things I didn’t do, but that I still might do…

✚ Put a coat of matte polyurethane over the whole thing for extra protection.
✚ Add a bead of clear silicone caulk where the panels meet the counter.
✚ Switch out the cabinet knobs. OK, I’m definitely doing that. The current knobs are cheap-o brassy things that most of the finish has rubbed off of. I think I’ll just go with simple, small black knobs.

EDIT! ALSO! HEY! READ THIS!
Reader Jenny questioned the use of combustible material around a gas range, which is definitely a valid concern. You should check your range’s clearance requirements and local code before doing something like this around a burner/stovetop. In my case, because this is not a high-powered or backless range, the wall in back of the stove is not a concern. The sidewall to the left of the range is another story, though, and I will probably replace that piece with stainless steel upon further thought. I did kind of dismiss it because the range is already actually TOUCHING the wood casing around the window right next to it (that seems bad, right? But my brother lived here for 5 years without setting the place on fire…), but hey, a little extra safety can’t hurt.

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An unexpected side effect of working on this project is that I really feel like painting. Not painting houses, but painting stuff. I feel like designing wallpaper, too. And pillows. And blankets. And everything, really. I wish I had time! I have so many ideas. I do write them down, at least.

Summerland giveaway

I’m sure I’m not speaking just for myself here when I ask why spring has been sooooo sloooooow to start this year! A couple of days ago I was bundled up in a winter coat in near-freezing temperatures, and today the thermometer is hovering just below 80°F. New York City is gorgeous in the springtime, but it never lasts long enough — before you know it, we’ll all be complaining about how hot it is.

In celebration of these precious few weeks of beautiful weather, though, I thought it might be nice to do a giveaway from one of my favorite Portland-based boutiques — and one of D16’s earliest sponsors! — Summerland. One lucky person will win a $100 gift certificate to spend on anything in the shop!

Here’s how to enter:
Visit Summerland and pick out a few of your favorite things.
Leave a comment here letting me know what they are!

Here’s how to get two extra entries:
Like Summerland and Door Sixteen on Facebook.*
Follow Summerland and Door Sixteen on Instagram.*

* If you already liked/followed either of us, that’s fine. Just let me know in your comment so I can count your extra entries!

The deadline for entries is April 16th at 11:00 PM, EST. THIS GIVEAWAY IS NOW CLOSED. I’ll announce the winner here and on Twitter tomorrow. The winner will also be notified by email. Thanks to everyone who entered!

UPDATE: The winner of the Summerland giveaway is Shawnna! Congratulations, Shawnna.

Small print: This giveaway is open to international entries, but Summerland is not responsible for customs fees and duties if they should occur.

Bonus discount!
Summerland is offering a 10% discount for ALL Door Sixteen readers between now and the end of the giveaway (April 16th at 11:00 PM, EST). Use the code DOORSIXTEEN at checkout!

doorsixteen_summerland_springfavorites

My favorites! Clockwise-ish, from top left:
Mila dress, Eskell / Number One sunglasses in Vanilla Wood, Karen Walker / Dark Wave fragrance oil, OLO (I wear this every day!) / Girls Just Wanna Have Fun nail polish, Deborah Lippmamm / Blixen boots, Wolverine x Samantha Pleet / “Everyday Is Like Sunday” banner, Banter Banner / Pink Cross bow tie, Twenty-Seven Names / Rose + Vanilla tinted lip blush, Fig + Yarrow

D16 in Lonny

The new issue of Lonny magazine is out today, and guess what? I’m in it! I was invited to share some of my favorite things with Lonny readers in their ‘Blogger Style’ column. It was so much fun to put together this little collection.

You can read the entire April 2013 issue of Lonny online, including my feature — I’m on pages 34–35.

Huge thank yous to my friend Ilenia Martini for taking a photo of me that doesn’t involve a bathroom mirror or an iPhone.