Via @DAVID_LYNCH on Twitter:
“The groundbreaking television phenomenon, Golden Globe® and Peabody Award-winner TWIN PEAKS will return as a new limited series on SHOWTIME in 2016. Series creators and executive producers David Lynch and Mark Frost will write and produce all nine episodes of the limited series, and Lynch will direct every episode. Set in the present day, TWIN PEAKS will continue the lore of the original series, providing long-awaited answers and a satisfying conclusion for the series’ passionate fan base.”

This news is everywhere today, but I’m so happy and full of anticipation that I can’t help mentioning it here as well.

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Photo: ‘Open All Night, East Village, NYC’ by Shawn Hoke

I woke up this morning to the sad news—delivered by the excellent EV Grieve blog—that Yaffa Cafe has officially ceased to exist. EV Grieve had previously reported that their iconic St. Mark’s Place mural had, bizarrely, been covered by a Google ad, with a follow-up that its closure was temporary pending necessary renovations and the possible elimination of the back garden. “Closed for renovations” is almost never a good sign to see in a window in NYC (How many places reopen after closing “for renovations”?), but Yaffa is an East Village mainstay. Through all of the upheaval and turnover of St. Mark’s Place over the past couple of decades, it has held on, twinkling Christmas lights ablaze, open all nite—and day. I truly believed it would reopen.

The first time I went to Yaffa Cafe was in the summer of 1992. My friend Brian, who I’d met several years earlier through the penpal section in a Cure fanzine, was dating a very cool girl who lived in lower Manhattan. I was a high school student in upstate New York at the time, and solo trips to NYC—ones that didn’t involve going to see my father—were still a relatively new thing for me. We all met up at one of her friend’s apartments on the Lower East Side (it was a beautiful dump, that apartment, the kind of wonderfully cheap, unrenovated pre-war space that’s now next to impossible to find), and it was decided that we should go to Yaffa for brunch. I think we went back three times over the next 48 hours. A $4 sunshine burger platter with a salad (and that glorious carrot dressing!) was just as delicious at 2AM as it was at 4PM, so why not?

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Photo: ‘New York, 2012′ by Mark & Andrea Busse

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Photo: Yaffa Cafe

I fell in love with Yaffa at first sight. The decor was exactly how I wanted my bedroom to look: ’80s thrift store curbside postpunk Rococo dirtbag Pee-wee’s Playhouse-meets-Victorian brothel glamor. As Jeremiah Moss describes it, “The place hasn’t really changed since 1987. The booths are upholstered in leopard and zebra print, the fabric rotting from years of wear. The walls are covered in various wallpapers—fruit, vegetables, flowers. Plastic grapes hang from the ceiling. And there’s also this.” Ahh, the hypnotic oil fountain. How I loved thee. Out back, there was a magical garden that seemed impossibly removed from the rest of the city.

The patrons were just as thrilling as the interior. Punks, goths, queens, freaks and weirdos, laughing together, drinking tea and eating fries. It felt like heaven to teenage Anna, like what I imagined life in NYC would resemble for me someday. And so, Yaffa became a staple for me. My place, my people. When I was in college just north of the city, I’d take the Metro North train down all the time to see bands. Back then it seemed like shows never let out until well past the last train back to White Plains, so there as a lot of time to kill until morning. Countless nights were spent over cheesecake and coffee at Yaffa, waiting for the sun to come up and signal a sleep-deprived subway ride to Grand Central.

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Photo: ‘Yaffa Cafe, 1995′ by Leo London

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Yaffa Cafe never stopped feeling like a special place to me. A few years ago, my friend Jenna and I went to see Echo & the Bunnymen together, and there was no question that the only place that made sense for a pre-show dinner was Yaffa. Jenna wrote great a blog post about our outing that night, and reading it now fills me with so many bittersweet feelings. What other thing in NYC has been a part of my life for so many years? Certainly no other restaurant. I think the last time I was at Yaffa was about a year ago, with Evan—that’s when I took the photo above. We went after seeing Johnny Marr play around the corner at Webster Hall. The sunshine burger was just as good as ever, and I was still in love with the red lights, the floral wallpaper, the dusty plastic grapes, the crazy zebra contact paper on the tables, and the drawings of naked ladies in the bathroom. I still kind of want my bedroom to look like that. Yaffa was a constant, unchanging comfort of a place. I am so very sad to see it go.

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Photos: Yaffa Cafe

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Yeah, I could live there is an occasional D16 feature wherein I post pictures of homes I want to break into, kick out the inhabitants and move in. Today, let’s play uninvited guests at the Copenhagen apartment of set designer Nadia Nabil Korsbæk, shall we?

What a sweet little eating area! I wish we could see more of the kitchen that’s off to the right, but the lumber-sided cabinets that are visible look very cool…and you know how I feel about square white tiles with dark grout. The cream-colored cabinet is so lovely with its bare wood interior, and I love a good set of mismatched chairs! So cozy.

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OH. Oh, oh, oh. I don’t know the story behind that table, but the shape is reminiscent of Prouvé’s EM table. The scrapwood technique reminds me of Piet Hein Eek. Wherever it’s from, it’s gorgeous. And more mismatched chairs! Four Eames DSWs and two Charlotte Perriand Les Arcs chairs (someday…). Perfect combination!

What about the pendant lamps? They must be vintage, yes? The scale is just right, and I’m amazed by how nice they look swagged across the ceiling like that with a hardwired chandelier only a few feet away. Somehow Scandinavians seem to be able to pull off stuff like that more easily than the rest of us. I’m trying to learn.

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Looking at more of the dining room, I kinda feel like that oversize antique mirror really makes the space. Right? And more scrapwood. And speaking of more scrapwood, see the bathtub? MORE SCRAPWOOD. More square white tiles with dark grout, too. I love when bathrooms and kitchens match.

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I noticed this in the dining room photo too, but see that rounded trim about a foot above the floor? I wonder if that’s actually just a strip of molding that’s been mounted higher than the baseboard to make it look more substantial. Do you know what I mean? So what’s between the two pieces of wood is actually wall, but since it’s all painted the same color (you can tell from the dining room photo that it’s slightly darker than the wall), it reads as one piece of molding. Am I making sense? Anyway, I really like that idea, even if it’s not what they did.

You know what? I don’t care how “overdone” it is at this point (as if!), sometimes all you need is a colorful Eames chair in a white room. And a plant. And some antlers. You know the formula. Hey…it works! I want to be in this room right now. Hopefully the homeowners won’t mind.

✚ All photos by Mette Wotkjær
✚ See the full article (and more photos!) at Femina

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I’m SO happy and excited to announce the official launch of Schoon Soap! For the past few months, I’ve been working on designing the branding and packaging for an amazing new line of vegan soaps. (It’s been hard to keep my mouth shut about this project, believe me!)

Stephanie Klose has been making soap since 2005, but it wasn’t until this year that she decided to fully immerse herself (literally and figuratively) in the business of creating the perfect lather. After a lot of experimentation, she’s come up with a initial line of 12 varieties of soaps, including fragrance-free and fragrance-ful options. Schoon means “clean” in Dutch, and the name pays homage to the Dutch heritage of the New York regions both Stephanie and I have called home: Brooklyn and the Hudson Valley, the latter of which was also my inspiration for the mountain-y logo.

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One of the best things about working on the packaging for these soaps is that in order to fully appreciate their characteristics, I (naturally) had to use them. I’m usually a no-frills, unscented, liquid castile soap kind of gal when it comes to shower time, so making the switch to these truly luxurious bars was a pretty big upgrade for me. The first soap I tried was Bay Rum & Vetiver, which passed my smell test immediately: warm, earthy, spicy. The coconut oil and shea butter base felt so great on my usually dry skin, and I had no irritation at all from the essential oils used to give it its wonderful fragrance.

Most recently, I’ve been using the Pure/Unscented bar, which still feels fancy and luxurious even though it’s fragrance-free! Great news for anyone who can’t tolerate any kind of perfume. ALL of the varieties are free from any synthetic fragrances, parabens, or preservatives, and the entire line is totally vegan. (And they’re all made by hand right here in Brooklyn!)

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I realize I’m totally biased in saying this, but they also look great in my bathroom—wrapped and unwrapped. Each soap wrapper has its own unique pattern and color, so they feel really special and personal. That was the most important thing to me in designing the packaging—I didn’t want the individual varieties to blend into one another visually (though they do also look nice together in a group!). The coolest part of the project? Seeing the logo I designed for Stephanie embossed into a finished bar. So satisfying.

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To celebrate the launch of Schoon Soap, Stephanie and her husband, Rob (who handles the customer service side of things), are offering a 20% discount on all of their soaps until October 6th! Just use the code SCHOONTIME during checkout at Etsy.

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And just for extra fun, let’s do a Schoon Soap giveaway! There will be THREE winners drawn at random, and each winner will receive any three bars of their choosing from Schoon Soap. Yay! International entries are welcome. Deadline for entries is 11PM EST on October 12th.

THIS GIVEAWAY IS NOW CLOSED. I’ll announce the winners here and on Twitter tomorrow. The winners will also be notified by email. Thanks to everyone who entered!

Here’s how to enter:
✚ Visit the Schoon Soap website.
✚ Check out the soaps!
✚ Leave a comment below letting us know which three varieties sound the most wonderful to you.
✚ That’s it! Thanks for entering. ♥

Congratulations on the launch of Schoon Soap, Stephanie and Rob! It was an honor to work with you.

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This has to be a FAST post because I’m running out the door, but I just wanted to give you a heads-up that the FULL SIZE (63×95″), large Pia Wallen Cross blanket (with which you know I’m obsessed) is currently reduced to $99 at Urban Outfitters. That’s a MASSIVE reduction!!

FYI: This is the felted cotton version of the Cross blanket (the same one I have on my bed), not the wool Crux blanket that costs a million dollars and is never in stock. I love my Cross blanket, though—rest assured it’s excellent quality.

I didn’t even realize they stocked the large blanket until D16 reader Esra (THANK YOU, ESRA!!) emailed me this afternoon. I knew they’d been stocking the smaller crib-sized Cross blanket (31×49″) for a while, but it seems you can only get to the large-size blanket by Googling or with a direct link. CRAZY.

ALSO: Apparently Urban Outfitters is offering free shipping today, AND the code “FALL2014″ will generate a 10% discount. Bananas. I wasn’t able to get the discount code to work with PayPal, FYI, so I had to do a regular transaction and enter the code at the very end.

OK, go get yourself a blanket!! (Hopefully this isn’t some big mistake on Urban Outfitters’ part, haha.)

UPDATE: The blanket is sold out already. Sorry, guys. :(

NOTE: The in-stock Cross blanket that’s still listed on the Urban Outfitters site for $99 is NOT the full-size! That’s the crib/throw version, and it’s only (31×49″). CHECK THE LISTING DESCRIPTION CAREFULLY BEFORE ORDERING. The full-size (63×95″) blanket has been out of stock since September 15th.

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Back when I started my little K IS FOR BLACK shop on Society6, I didn’t know if I’d stick with it. I was feeling very unsure about designing stuff without a client (other than myself!) in mind, and it was really a personal challenge more than anything.

Happily, I did stick with it, and I’ve added lots of new designs to the shop since that initial launch. It’s been SO fun.

That said, I think it’s a little boring to have the same things in the shop forever, and it’s time for me to do a big overhaul. On the first day of fall, September 23rd, I’ll be discontinuing ALL of the current designs so I can start introducing new work. Between now and then, all of the prints in the shop are discounted 20% (the discount is reflected in the listed prices). Society6 doesn’t allow members to set pricing for anything other than prints, otherwise I’d make the discount shop-wide.

ALSO: Between now and September 14th, Society6 is offering FREE WORLDWIDE SHIPPING on most items (framed prints, stretched canvases and rugs are excluded), and all phone cases (including ones for the new iPhone 6 and 6 Plus) are $5 off.

That’s a lot of discounts, so if there is anything at all that you’ve had your eye on in the K IS FOR BLACK shop, now is the time to get it. After September 23rd, none of the current designs will be available. (You must use this link to get the free shipping and phone case discounts.)

OK! Onward.

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I love, love, love this ad for the German home improvement store Hornbach. Thanks to everyone who sent this to me!

Ad by Heimat Berlin; produced by Trigger Happy and directed by Pep Bosch.

✚ Related post (2009): Black houses.
(I think it might be time for an updated post about black houses!!)

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I wasn’t looking for a new duvet cover, but when I spotted the new-ish TOFSVIVA at IKEA a few weeks ago, I got heart-eyes and had to have it. The color palette is perfect, and I my affection for droplet patterns and clouds is unending. So nice! I love it against the dark wall in our bedroom.

TOFSVIVA was designed for IKEA by Linda Sjunnesson, who is also responsible for the Josef Frank-ish KNAPPSÄV cushion I’ve had my eye on.

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OK, I don’t iron my bed linens. I don’t really iron anything unless I absolutely have to, honestly. I started cloning out the wrinkles in this photo last night, but I quit after five minutes. Apparently I’m no less enthusiastic about digital ironing than I am in the physical world. So…wrinkles. Whatever.

The TOFSVIVA duvet comes in a set with two pillow shams for the alarmingly low price of $29.99. Like other IKEA bed linens it’s 100% cotton, but I must say it’s definitely on the rough side texture-wise. The thread count (144) is somewhere between burlap sack and dishtowel. That doesn’t bother me at all for the duvet cover, but the pillowcases are pretty scratchy on the face. Evan switched his to a plain white case last night. I think they’ll get softer with more washings, but I may just go ahead and turn the pillowcases into tote bags or throw pillows or something. But still, $29.99 for a really nice-looking duvet cover? I’ll take it.

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I still have not painted that radiator. I don’t like silver radiators, and this one is really peeling and icky—I have to address it. I know I won’t get to it before winter, though (what happened to summer?!), so I guess my new goal is to paint it by spring. And by that I mean spring 2016, which will likely come and go without the radiator being painted…

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That beautiful silkscreened “vu de l’extérieur” print is from Fieldguided. I love Anabela and Geoff’s work, and I think this piece is my favorite. So dreamy.

Happy Sunday…

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Last week I mentioned that I had styled a couple of rooms for the new Society6 lookbooks. They’re up now! I’ve never done anything like this before, and it was a real challenge. They asked me to pick out a couple dozen items (I was given free rein, so rest assured 100% of what’s in the lookbooks is there by my choice alone), and then I spent a weekend setting up a staged bedroom and workspace in my house. FUN!

Society6 “In Flux” bedroom lookbook
Society6 “In Flux” workspace lookbook

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Society6 has a special sale going right now to promote the In Flux collection: $10 off $75/$15 off $100/$30 off $150. The sale ends tonight (Sunday) at midnight PST, so if you’ve been wanting a bunch of stuff, now’s the time to get in there quickly.

As always, if you have any questions about the products themselves (whether they’re from my own K IS FOR BLACK shop or any of the others), please feel free to ask—I’ll give you my honest opinion about everything. Also, just for the sake of full disclosure, I was not paid to write this post (they didn’t even ask me to write a post) or to style the lookbooks, but I did get to keep the stuff I picked out and photographed.

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Society6 “In Flux” bedroom lookbook
Featuring designs by: K IS FOR BLACK; RK // Design; Nicklas Gustafsson; Kurt Rahn; Party in the Mountains; Terry Fan; Garima Dhawan; Fieldguided; Budi Satria Kahn; Beth Hoeckel; Man & Camera; Matthew Korbel-Bowers; Georgiana Paraschiv.

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Society6 “In Flux” workspace lookbook
Featuring designs by: Priscila Peress; K IS FOR BLACK; Nicklas Gustafsson; Matthew Korbel-Bowers; Bree Madden; Justin Cooper; Beth Hoeckel; Georgiana Paraschiv; Laura Moreau; Thoughtcloud; Wasted Rita; Dawn Gardner; David Olenick; Jesse Draxler; Fieldguided; Tordis Kayma; Julia Kostreva.

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This is going to sound silly, but I’ve never hung anything on a wallpapered wall before. Considering the amount of wallpaper in my house, that eliminates a lot of possibilities when it comes to hanging art! I’m not usually so precious about stuff, but the thought of making a permanent hole in something that’s bonded to my walls fills me with panic. I got over myself this weekend, though, and I’m so glad. The dressing room looks so much more finished now!

The print that got me to finally pick up a hammer is Animal Sounds 002 by Matthew Korbel-Bowers. I recently did a styling project for Society6 (I think it’s going up on their site today–I’ll update this post when that happens), and this was one of the pieces I chose. I ordered it pre-framed (Vector White, 26×38″) since I didn’t have much time, and it looks great. I really love the design combined with the wallpaper pattern, and the way that bright green looks with my crazy orange bench.

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Long view! The dressing room is really narrow and difficult to photograph, but you get the idea. Oh, and the wallpaper (installed five years ago) is Berry Black from Ferm Living, the fluorescent orange Offcut bench is from Tom Dixon (discontinued, sadly, but you can still get the Offcut stool), and the rug is by Nate Berkus for Target (also discontinued, argh!).

I’m still feeling really hesitant to start hanging stuff all over my wallpapered walls, but this was a great baby step. Assuming I don’t hate it a year from now (I won’t), I’ll consider the hole worth it. Otherwise, I’ll take down the frame and point out the miniscule, barely-noticeable hole to every single guest who gets a house tour, because that’s just what I do.