Via @DAVID_LYNCH on Twitter:
“The groundbreaking television phenomenon, Golden Globe® and Peabody Award-winner TWIN PEAKS will return as a new limited series on SHOWTIME in 2016. Series creators and executive producers David Lynch and Mark Frost will write and produce all nine episodes of the limited series, and Lynch will direct every episode. Set in the present day, TWIN PEAKS will continue the lore of the original series, providing long-awaited answers and a satisfying conclusion for the series’ passionate fan base.”
I grew up in a very small town with an incredible independent movie theater, and as a result I went to see a lot of cool stuff back then that I probably wouldn’t have heard of otherwise. There wasn’t a whole lot for a teenager to do in Rhinebeck other than walk to Upstate Films to see whatever was playing, and thankfully they never checked me or my friends for proof of age. In the summer of 1990 they were showing Wild At Heart, and I went to see it without knowing anything about it other than that it was directed by the guy responsible for Twin Peaks, the new TV show I’d been slowly growing obsessed with over the previous few months.
I loved Wild At Heart, and it got me curious about other movies David Lynch had made. I remember renting Blue Velvet with my friend Paul and just being totally entranced. It immediately became one of my favorite movies, and 22 years later, it still is. I’ve seen it so many times, and it never gets old. Like every David Lynch movie, the casting is absolutely perfect. This was my first real exposure to Isabella Rossellini outside of the context of being cover model (yes, she was in Wild At Heart, but her role in that film is very different and far less direct/personal—the affectations and appearance of the character are more compelling than the actor, if that makes sense), and her performance had an enormous effect on me. She has remained a constant source of inspiration in my life, and it all stems from the way that she portrayed Dorothy Vallens.
About ten years ago, I finally got to see Blue Velvet on a big screen. BAM did a special showing, and Isabella Rossellini was there to watch with us and to answer questions from the audience after. That was a wonderful experience.
Blue Velvet’s original shooting script is reputed to have been over four hours long. The theatrical release came in at 120 minutes. An additional hour of deleted footage was thought to have been lost when the producer of the film, Dino De Laurentis, sold his company. Fortunately, the footage was located and was released as an extra on the Blu-ray edition of Blue Velvet.
Nearly a full hour (!!!) of unreleased footage from Blue Velvet—an amazing thing to think about, right? It’s out of context and sequence (and without a full score), of course, and I’m hoping that another Lynch-obsessed person out there will take the time to do a fan edit of the movie with the deleted scenes replaced. In the mean time, it’s very, very cool to add an extra layer of fascination to a movie I’ve loved for so long and seen so many times. The dimension this footage adds to the character of Jeffrey Beaumont in particular is kind of mind-blowing. I almost feel like I didn’t really know who he was until now! I’ll leave my reactions beyond that out of this post, but if you’d like to discuss it further in the comments, I’m game.
(This probably goes without saying if you’ve seen Blue Velvet, but some parts of this video may be NSFW—depending on where you work, of course.)
“David Lynch Signature Cup Coffee” commercial // Directed by David Lynch, 2012
Last year, I posted about the first commercial for David Lynch Signature Cup Coffee, and boy, was it a doozy. I’m not one to get overly excited about advertisements, but that ad made me not only want to buy David Lynch Signature Cup Coffee for drinking purposes, but also for bathing, tooth-brushing, and as an eyedrop substitute. It was that good.
“David Lynch Signature Cup Coffee” commercial // Directed by David Lynch, 2011
This is, by far, the finest commercial ever made. Really—watch this (the whole thing) and tell me you don’t want to run out and buy a bag (or a dozen bags) of David Lynch Signature Cup Coffee RIGHT NOW. Even if you’re not a coffee drinker. You want it, right?
A few months ago, Daniel and I went to see a movie* at the IFC Center, and I noticed David Lynch’s coffee for sale at the concession stand, and even though it was in no way presented as a being a joke product, I was kind of baffled by its existence.
Well, no longer. It all makes perfect sense to me now. You know, in the same way that Mulholland Drive and Lost Highway make sense. As in, not at all. But it’s good anyway, and my life won’t be the same without it.
I love David Lynch. I also love coffee.
*We went to see Tiny Furniture, and it was very enjoyable. The 24-year-old writer and director is also the protagonist, and her real-life mother and sister play her movie mother and sister and the whole thing is set in her mother’s (GORGEOUS AND AMAZING) real-life apartment—yet the entire thing is fictional. And she made it for $25,000. Recommended!
Notes for a David Lynch adaptation of Moonwalk
Edited by Steven Boone
Featuring the words of Michael Jackson and Katherine Jackson, and the films of David Lynch
I watched this tonight after seeing it linked from Roger Ebert’s Twitter, and I was blown away (and reduced to tears). Steven Boone isn’t the first person to draw comparisons between David Lynch’s films and the life of Michael Jackson—one need only refer to a tabloid from the mid-’80s to speculate on their mutual affinity for The Elephant Man, after all—but this is just so beautifully assembled.
My name is Anna.
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