I don’t know if it’s because of the time I recently spent in Marfa with Daniel, or it has to do with all of the still-living (!) plants in my apartment, but lately I can’t get enough of cactuses. Cacti. Whatever. Or maybe it’s succulents in general, since I can never seem to remember what makes a succulent a cactus.
Anyway, I put together a little collection of some of my favorite cactus-themed stuff. I want all of it! Greedy, so greedy…
1. Amelie Mancini / Cactus tote
2. Budi Satria Kwan / Cactus print
3. Sea & Asters / Geometric Cactus Planter
4. Ideccor / Linen cactus pillow
5. Confetti Riot / Cactus print tea towel and pillows—white and peach
6. Visual Cities by Mariadiamantes / Cactus print
1. Banquet Atelier & Workshop / Ten Cacti and Paddle Cactus screenprints
2. Sian Keegan / Cacti phone case
3. The Kingpins / Michael Cera Cactus button
4. The Black Vinyl / Early-1800s illustrated cactus chart
5. Nuukk / Cactus stamps
6. Make-Ready / Cactus print
Speaking of cactuses (I’m having a hard time with the word “cacti” for some reason), when was the last time you listened to 3rd Bass? I had The Cactus Album on heavy rotation during 1989 and 1990, and then 3rd Bass just kinda…evaporated. It’s a FANTASTIC album, though, and it still sounds great (maybe even better) 26 years later.
As an interesting (debatable) aside, did you know that 3rd Bass and The Smiths have something in common? Other than being white guys with tall hair, I mean. They both used the same sample! If you skip ahead to the 22:18 mark above, the beginning of “Triple Stage Darkness,” you’ll hear it: You are sleeping, you do not want to believe. You are sleeping… Now, if you’re a Smiths fan who appreciates Morrissey’s excellent use of samples, you’ll know that this is the very same sample used at the end of “Rubber Ring” (3:33 mark). Crazy, right? And considering how obscure the source of this sample is—a flexi-disc included with a 1971 book about communicating electronically with the dead, written by a Latvian psychologist named Konstantin Raudive—I think it’s mayyyyybe safe to assume that someone in 3rd Bass was a Smiths fan, and that mayyyyybe they actually took the sample from a Smiths record and not from the original source…but what do I know! Those crackles sure sound like they line up, though. Cool.
(How’s that for a tangent?!)